"She hastily put the papers from her; but the words, which had roused equally her curiosity and terror, she could not dismiss from her thoughts. So powerfully had they affected her, that she even could not resolve to destroy the papers immediately; and the more she dwelt on the circumstance, the more it inflamed her imagination."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Printed for G. G. and J. Robinson
Date
1794
Metaphor
"She hastily put the papers from her; but the words, which had roused equally her curiosity and terror, she could not dismiss from her thoughts. So powerfully had they affected her, that she even could not resolve to destroy the papers immediately; and the more she dwelt on the circumstance, the more it inflamed her imagination."
Metaphor in Context
The solitary life, which Emily had led of late, and the melancholy subjects, on which she had suffered her thoughts to dwell, had rendered her at times sensible to the "thick-coming fancies" of a mind greatly enervated. It was lamentable, that her excellent understanding should have yielded, even for a moment, to the reveries of superstition, or rather to those starts of imagination, which deceive the senses into what can be called nothing less than momentary madness. Instances of this temporary failure of mind had more than once occurred since her return home; particularly when, wandering through this lonely mansion in the evening twilight, she had been alarmed by appearances, which would have been unseen in her more cheerful days. To this infirm state of her nerves may be attributed, what, she imagined, when, her eyes glancing a second time on the arm-chair, which stood in an obscure part of the closet, the countenance of her dead father appeared there. Emily stood fixed for a moment to the floor, after which she left the closet. Her spirits, however, soon returned; she reproached herself with the weakness of thus suffering interruption in an act of serious importance, and again opened the door. By the directions which St. Aubert had given her, she readily found the board he had described in an opposite corner of the closet, near the window; she distinguished also the line he had mentioned, and, pressing it as he had bade her, it slid down, and disclosed the bundle of papers, together with some scattered ones, and the purse of louis. With a trembling hand she removed them, replaced the board, paused a moment, and was rising from the floor, when, on looking up, there appeared to her alarmed fancy the same countenance in the chair. The illusion, another instance of the unhappy effect which solitude and grief had gradually produced upon her mind, subdued her spirits; she rushed forward into the chamber, and sunk almost senseless into a chair. Returning reason soon overcame the dreadful, but pitiable attack of imagination, and she turned to the papers, though still with so little recollecttion, that her eyes involuntarily settled on the writing of some loose sheets, which lay open; and she was unconscious, that she was transgressing her father's strict injunction, till a sentence of dreadful import awakened her attention and her memory together. She hastily put the papers from her; but the words, which had roused equally her curiosity and terror, she could not dismiss from her thoughts. So powerfully had they affected her, that she even could not resolve to destroy the papers immediately; and the more she dwelt on the circumstance, the more it inflamed her imagination. Urged by the most forcible, and apparently the most necessary, curiosity to enquire farther, concerning the terrible and mysterious subject, to which she had seen an allusion, she began to lament her promise to destroy the papers. For a moment, she even doubted, whether it could justly be obeyed, in contradiction to such reasons as there appeared to be for further information. But the delusion was momentary.
(I, pp. 273-5)
Categories
Provenance
Reading
Citation
9 entries in ESTC (1794, 1795, 1799, 1800).

The Mysteries of Udolpho, a Romance; Interspersed with some Pieces of Poetry. By Ann Radcliffe, Author of the Romance of the Forest, etc. 4 vols. (London: Printed for G. G. and J. Robinson, 1794). <Link to ECCO><Link to ECCO-TCP, Vol. I>

Reading The Mysteries of Udolpho, ed. Jacqueline Howard (New York: Penguin Books, 2001).
Date of Entry
03/06/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.