"The intelligent eyes of Emily seemed to read what passed in the mind of her father, and she fixed them on his face, with an expression of such tender pity, as recalled his thoughts from every desultory object of regret, and he remembered only, that he must leave his daughter without protection."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Printed for G. G. and J. Robinson
Date
1794
Metaphor
"The intelligent eyes of Emily seemed to read what passed in the mind of her father, and she fixed them on his face, with an expression of such tender pity, as recalled his thoughts from every desultory object of regret, and he remembered only, that he must leave his daughter without protection."
Metaphor in Context
The intelligent eyes of Emily seemed to read what passed in the mind of her father, and she fixed them on his face, with an expression of such tender pity, as recalled his thoughts from every desultory object of regret, and he remembered only, that he must leave his daughter without protection. This reflection changed regret to agony; he sighed deeply, and remained silent, while she seemed to understand that sigh, for she pressed his hand affectionately, and then turned to the window to conceal her tears. The sun now threw a last yellow gleam on the waves of the Mediterranean, and the gloom of twilight spread fast over the scene, till only a melancholy ray appeared on the western horizon, marking the point where the sun had set amid the vapours of an autumnal evening. A cool breeze now came from the snore, and Emily let down the glass; but the air, which was refreshing to health, was as chilling to sickness, and St. Aubert desired, that the window might be drawn up. Increasing illness made him now more anxious than ever to finish the day's journey, and he stopped the muleteer to enquire how far they had yet to go to the next post. He replied, Nine miles. "I feel I am unable to proceed much further," said St. Aubert; "enquire, as you go, if there is any house on the road that would accommodate us for the night." He sunk back in the carriage, and Michael, cracking his whip in the air, set off, and continued on the full gallop, till St. Aubert, almost fainting, called to him to stop. Emily looked anxiously from the window, and saw a peasant walking at some little distance on the road, for whom they waited, till he came up, when he was asked, if there was any house in the neighbourhood that accommodated travellers. He replied, that he knew of none. "There is a chateau, indeed, among those woods on the right," added he, "but I believe it receives nobody, and I cannot shew you the way, for I am almost a stranger here." St. Aubert was going to ask him some further question concerning the chateau, but the man abruptly passed on. After some consideration, he ordered Michael to proceed slowly to the woods. Every moment now deepened the twilight, and increased the difficulty of finding the road. Another peasant soon after passed. "Which is the way to the chateau in the woods?" cried Michael.
(I, pp. 163-5; p. 61 in Penguin)
Categories
Provenance
Reading
Citation
9 entries in ESTC (1794, 1795, 1799, 1800).

The Mysteries of Udolpho, a Romance; Interspersed with some Pieces of Poetry. By Ann Radcliffe, Author of the Romance of the Forest, etc. 4 vols. (London: Printed for G. G. and J. Robinson, 1794). <Link to ECCO><Link to ECCO-TCP, Vol. I>

Reading The Mysteries of Udolpho, ed. Jacqueline Howard (New York: Penguin Books, 2001).
Date of Entry
03/06/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.