"It ought to be so deeply ingraved on the mind, as to be ready for use upon every occasion. Now, in order to a deep impression, it is wisely contrived, that things should be introduced to our acquaintance, with a certain pomp and solemnity productive of a vivid emotion. When the impression is once fairly made, the emotion of novelty, being no longer necessary, vanisheth almost instantaneously; never to return, unless where the impression happens to be obliterated by length of time or other means; in which case the second introduction is nearly as solemn as the first."
— Home, Henry, Lord Kames (1696-1782)
Work Title
Place of Publication
London and Edinburgh
Publisher
Printed for A. Millar, London; and A. Kincaid and J. Bell, Edinburgh
Date
1762
Metaphor
"It ought to be so deeply ingraved on the mind, as to be ready for use upon every occasion. Now, in order to a deep impression, it is wisely contrived, that things should be introduced to our acquaintance, with a certain pomp and solemnity productive of a vivid emotion. When the impression is once fairly made, the emotion of novelty, being no longer necessary, vanisheth almost instantaneously; never to return, unless where the impression happens to be obliterated by length of time or other means; in which case the second introduction is nearly as solemn as the first."
Metaphor in Context
The gratification of curiosity, as mentioned above, is distinguished by a proper name, viz. wonder; an honour denied to the gratification of any other principle, emotion, or passion, so far as I can recollect. This singularity indicates some important final cause, which I endeavour to unfold. An acquaintance with the various things that may affect us, and with their properties, is essential to our well-being. Nor will a slight or superficial acquaintance be sufficient. It ought to be so deeply ingraved on the mind, as to be ready for use upon every occasion. Now, in order to a deep impression, it is wisely contrived, that things should be introduced to our acquaintance, with a certain pomp and solemnity productive of a vivid emotion. When the impression is once fairly made, the emotion of novelty, being no longer necessary, vanisheth almost instantaneously; never to return, unless where the impression happens to be obliterated by length of time or other means; in which case the second introduction is nearly as solemn as the first.
(I.vi, pp. 334-5)
Categories
Provenance
ECCO-TCP
Citation
11 entries in ESTC (1762, 1763, 1765, 1769, 1772, 1774, 1785, 1788, 1795, 1796).
See Elements of Criticism, 3 vols. (Edinburgh: Printed for A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>
Reading Elements of Criticism, ed. Peter Jones, 2 vols. (Indianapolis: Liberty Fund, 2005). [Text based on 6th edition of 1785]
See Elements of Criticism, 3 vols. (Edinburgh: Printed for A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>
Reading Elements of Criticism, ed. Peter Jones, 2 vols. (Indianapolis: Liberty Fund, 2005). [Text based on 6th edition of 1785]
Date of Entry
11/18/2013
