"Now, when an author has brought us, or is attempting to bring us, into this state; if he multiplies words unnecessarily, if he decks the Sublime object which he presents to us, round and round, with glittering ornaments; nay, if he throws in any one decoration that sinks in the least below the capital image, that moment he alters the key; he relaxes the tension of the mind; the strength of the feeling is emasculated; the Beautiful may remain, but the Sublime is gone."
— Blair, Hugh (1718-1800)
Author
Work Title
Place of Publication
London and Edinburgh
Publisher
Printed for W. Strahan; T. Cadell; and W. Creech
Date
1783
Metaphor
"Now, when an author has brought us, or is attempting to bring us, into this state; if he multiplies words unnecessarily, if he decks the Sublime object which he presents to us, round and round, with glittering ornaments; nay, if he throws in any one decoration that sinks in the least below the capital image, that moment he alters the key; he relaxes the tension of the mind; the strength of the feeling is emasculated; the Beautiful may remain, but the Sublime is gone."
Metaphor in Context
I HAVE produced these instances, in order to demonstrate how essential conciseness and simplicity are to Sublime Writing. Simplicity, I place in opposition to studied and profuse ornament; and conciseness, to superfluous expression. The reason why a defect, either in conciseness or simplicity, is hurtful in a peculiar manner to the Sublime, I shall endeavour to explain. The emotion occasioned in the mind by some great or noble object, raises it considerably above its ordinary pitch. A sort of enthusiasm is produced, extremely agreeable while it lasts; but from which the mind is tending every moment to fall down into its ordinary situation. Now, when an author has brought us, or is attempting to bring us, into this state; if he multiplies words unnecessarily, if he decks the Sublime object which he presents to us, round and round, with glittering ornaments; nay, if he throws in any one decoration that sinks in the least below the capital image, that moment he alters the key; he relaxes the tension of the mind; the strength of the feeling is emasculated; the Beautiful may remain, but the Sublime is gone.—When Julius Caesar said to the Pilot who was afraid to put to sea with him in a storm,
"Quid times? Caesarem vehis;"
we are struck with the daring magnanimity of one relying with such confidence on his cause and his fortune. These few words convey every thing necessary to give us the impression full. Lucan resolved to amplify and adorn the thought. Observe how every time he twists it round, it departs farther from the Sublime, till it end at last in tumid declamation.
(Vol. I, Lecture IV, pp. 78-9)
"Quid times? Caesarem vehis;"
we are struck with the daring magnanimity of one relying with such confidence on his cause and his fortune. These few words convey every thing necessary to give us the impression full. Lucan resolved to amplify and adorn the thought. Observe how every time he twists it round, it departs farther from the Sublime, till it end at last in tumid declamation.
(Vol. I, Lecture IV, pp. 78-9)
Categories
Provenance
ECCO-TCP
Citation
29 entries in ESTC (1783, 1784, 1787, 1788, 1789, 1790, 1793, 1796, 1798). See also Heads of the Lectures on Rhetorick, and Belles Lettres (1767, 1771, 1777) and abridgments of the lectures as Essays on Rhetoric (1784, 1785, 1787, 1789, 1793, 1797, 1798).
See Lectures on Rhetoric and Belles Lettres. By Hugh Blair (London: Printed for W. Strahan; T. Cadell; and W. Creech, in Edinburgh, 1783): <Link to ESTC>. See also Dublin edition of same year in ECCO-TCP: <Link to Vol. I><Vol. II><Vol. III>. Revised and corrected for second edition of 1785.
Reading Lectures on Rhetoric and Belles Lettres, eds. Linda Ferreira-Buckley and S. Michael Halloran (Carbondale: Southern Illinois UP, 2005). Text based on second edition of 1785.
See Lectures on Rhetoric and Belles Lettres. By Hugh Blair (London: Printed for W. Strahan; T. Cadell; and W. Creech, in Edinburgh, 1783): <Link to ESTC>. See also Dublin edition of same year in ECCO-TCP: <Link to Vol. I><Vol. II><Vol. III>. Revised and corrected for second edition of 1785.
Reading Lectures on Rhetoric and Belles Lettres, eds. Linda Ferreira-Buckley and S. Michael Halloran (Carbondale: Southern Illinois UP, 2005). Text based on second edition of 1785.
Date of Entry
11/18/2013
