"Every one has in him a natural Alloy, tho' one may be fuller of Dross than another: For this reason I cannot think it right to introduce a perfect or a faultless Man upon the Stage; not only because such a Character is improper to move Compassion, but because there is no such a thing in Nature."
— Addison, Joseph (1672-1719)
Author
Work Title
Place of Publication
London
Publisher
Printed for S. Buckley and J. Tonson
Date
Friday, November 28, 1712
Metaphor
"Every one has in him a natural Alloy, tho' one may be fuller of Dross than another: For this reason I cannot think it right to introduce a perfect or a faultless Man upon the Stage; not only because such a Character is improper to move Compassion, but because there is no such a thing in Nature."
Metaphor in Context
'Our Goodness being of a comparative, and not an absolute nature, there is none who in strictness can be called a Virtuous Man. Every one has in him a natural Alloy, tho' one may be fuller of Dross than another: For this reason I cannot think it right to introduce a perfect or a faultless Man upon the Stage; not only because such a Character is improper to move Compassion, but because there is no such a thing in Nature. This might probably be one Reason why the SPECTATOR in one of his Papers took notice of that late invented Term called Poetical Justice, and the wrong Notions into which it has led some Tragick Writers. The most perfect Man has Vices enough to draw down Punishments upon his Head, and to justify Providence in regard to any Miseries that may befal him. For this reason I cannot think, but that the Instruction and Moral are much finer, where a Man who is virtuous in the main of his Character falls into Distress, and sinks under the Blows of Fortune at the End of a Tragedy, than when he is represented as Happy and Triumphant. Such an Example corrects the Insolence of Human Nature, softens the Mind of the Beholder with Sentiments of Pity and Compassion, comforts him under his own private Affliction, and teaches him not to judge Mens Virtues by their Successes. I cannot think of one real Hero in all Antiquity so far raised above Human Infirmities, that he might not be very naturally represented in a Tragedy as plunged in Misfortunes and Calamities. The Poet may still find out some prevailing Passion or Indiscretion in his Character, and shew it in such a Manner, as will sufficiently acquit the Gods of any Injustice in his Sufferings. For as Horace observes in my Text, the best Man is faulty, tho' not in so great a degree as those whom we generally call vicious Men.
Categories
Provenance
Reading
Date of Entry
11/02/2013
