"And this phantasie may be resembled to a glasse as hath bene sayd, whereof there be many tempers and manner of makinges, as the perspectiues doe acknowledge, for some be false glasses and shew thinges otherwise than they be in deede, and others right as they be in deede, neither fairer nor fouler, nor greater nor smaller."

— Puttenham, George (1529-1590/91)


Place of Publication
London
Publisher
Printed by Richard Field
Date
1589
Metaphor
"And this phantasie may be resembled to a glasse as hath bene sayd, whereof there be many tempers and manner of makinges, as the perspectiues doe acknowledge, for some be false glasses and shew thinges otherwise than they be in deede, and others right as they be in deede, neither fairer nor fouler, nor greater nor smaller."
Metaphor in Context
[...] But in these dayes (although some learned Princes may take delight in them) yet vniuersally it is not so. For as well Poets as Poesie are despised, & the name become, of honorable infamous, subiect to scorne and derision, and rather a reproch than a prayse to any that vseth it: for commonly who so is studious in th'Arte or shewes him selfe excellent in it, they call him in disdayne a phantasticall: and a light headed or phantasticall man (by conuersion) they call a Poet. And this proceedes through the barbarous ignoraunce of the time, and pride of many Gentlemen, and others, whose grosse heads not being brought vp or acquainted with any excellent Arte, nor able to contriue, or in manner conceiue any matter of subtiltie in any businesse or science, they doe deride and scorne it in all others as superfluous knowledges and vayne sciences, and whatsoeuer deuise be of rare inuention they terme it phantasticall, construing it to the worst side: and among men such as be modest and graue, & of litle conuersation, nor delighted in the busie life and vayne ridiculous actions of the popular, they call him in scorne a Philosopher or Poet, as much to say as a phantasticall man, very iniuriously (God wot) and to the manifestation of their own ignoraunce, not making difference betwixt termes. For as the euill and vicious disposition of the braine hinders the sounde iudgement and discourse of man with busie & disordered phantasies, for which cause the Greekes call him [GREEK], so is that part being well affected, not onely nothing disorderly or confused with any monstruous imaginations or conceits, but very formall, and in his much multiformitie vniforme, that is well proportioned, and so passing cleare, that by it as by a glasse or mirrour, are represented vnto the soule all maner of bewtifull visions, whereby the inuentiue parte of the mynde is so much holpen, as without it no man could deuise any new or rare thing: and where it is not excellent in his kind, there could be no politique Captaine, nor any witty enginer or cunning artificer, nor yet any law maker or counsellor of deepe discourse, yea the Prince of Philosophers stickes not to say animam nō intelligere absque phantasmate, which text to another purpose Alexander Aphrodiscus well noteth, as learned men know. And this phantasie may be resembled to a glasse as hath bene sayd, whereof there be many tempers and manner of makinges, as the perspectiues doe acknowledge, for some be false glasses and shew thinges otherwise than they be in deede, and others right as they be in deede, neither fairer nor fouler, nor greater nor smaller. There be againe of these glasses that shew thinges exceeding faire and comely, others that shew figures very monstruous & illfauored. Euen so is the phantasticall part of man (if it be not disordered) a representer of the best, most comely and bewtifull images or apparances of thinges to the soule and according to their very truth. If otherwise, then doth it breede Chimeres & monsters in mans imaginations, & not onely in his imaginations, but also in all his ordinarie actions and life which ensues. Wherefore such persons as be illuminated with the brightest irradiations of knowledge and of the veritie and due proportion of things, they are called by the learned men not phantastici but euphantasiote, and of this sorte of phantasie are all good Poets, notable Captaines stratagematique, all cunning artificers and enginers, all Legislators Polititiens & Counsellours of estate, in whose exercises the inuentiue part is most employed and is to the sound & true iudgement of man most needful. [...]
(pp. 13-15)
Provenance
Reading Herbert Grabes, The Mutable Glass: Mirror-Imagery in Titles and Texts of the Middle Ages and English Renaissance (Cambridge UP, 1982), p. 90. Found again, Rayna Kalas, Frame, Glass, Verse: The Technology of Poetic Invention in the English Renaissance (Ithaca: Cornell UP, 2007), 136.
Citation
The Arte of English Poesie Contriued Into Three Bookes: the First of Poets and Poesie, the Second of Proportion, the Third of Ornament. (At London: Printed by Richard Field, Dwelling in the Black-Friers, neere Ludgate, 1589). <Link to ECCO-TCP>
Date of Entry
09/28/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.