"From this correct knowledge of objects arises another amusement; that of representing, by a few strokes in a sketch, those ideas, which have made the most impression upon us."

— Gilpin, William (1724-1804)


Work Title
Place of Publication
London
Publisher
Printed for R. Blamire
Date
1792
Metaphor
"From this correct knowledge of objects arises another amusement; that of representing, by a few strokes in a sketch, those ideas, which have made the most impression upon us."
Metaphor in Context
From this correct knowledge of objects arises another amusement; that of representing, by a few strokes in a sketch, those ideas, which have made the most impression upon us. A few scratches, like a short-hand scrawl of our own, legible at least to ourselves, will serve to raise in our minds the remembrance of the beauties they humbly represent; and recal to our memory even the splendid colouring, and force of light, which existed in the real scene. Some naturalists suppose, the act of ruminating, in animals, to be attended with more pleasure, than the act of grosser mastication. It may be so in travelling also. There may be more pleasure in recollecting, and recording, from a few transient lines, the scenes we have admired, than in the present enjoyment of them. If the scenes indeed have peculiar greatness, this secondary pleasure cannot be attended with those enthusiastic feelings, which accompanied the real exhibition. But, in general, tho it may be a calmer species of pleasure, it is more uniform, and uninterrupted. It flatters us too with the idea of a sort of creation of our own; and it is unallayed with that fatigue, which is often a considerable abatement to the pleasures of traversing the wild, and savage parts of nature.--After we have amused ourselves with our sketches, if we can, in any degree, contribute to the amusement of others also, the pleasure is surely so much inhanced.
(pp. 51-2)
Provenance
Searching in ECCO-TCP
Citation
Three Essays: on Picturesque Beauty; on Picturesque Travel; and on Sketching Landscape: to Which Is Added a Poem, on Landscape Painting. (London: Printed for R. Blamire, 1792). <Link to ECCO-TCP>
Date of Entry
09/25/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.