"The reason of which is easy enough to apprehend, for the frenzy and the spleen of both having the same foundation, we may look upon them as two pair of compasses equally extended, and the fixed foot of each remaining in the same centre, which, though moving contrary ways at first, will be sure to encounter somewhere or other in the circumference."

— Swift, Jonathan (1667-1745)


Work Title
Place of Publication
London
Publisher
Printed for John Nutt
Date
May 10, 1704
Metaphor
"The reason of which is easy enough to apprehend, for the frenzy and the spleen of both having the same foundation, we may look upon them as two pair of compasses equally extended, and the fixed foot of each remaining in the same centre, which, though moving contrary ways at first, will be sure to encounter somewhere or other in the circumference."
Metaphor in Context
It was highly worth observing the singular effects of that aversion or antipathy which Jack and his brother Peter seemed, even to affectation, to bear towards each other. Peter had lately done some rogueries that forced him to abscond, and he seldom ventured to stir out before night for fear of bailiffs. Their lodgings were at the two most distant parts of the town from each other, and whenever their occasions or humours called them abroad, they would make choice of the oddest, unlikely times, and most uncouth rounds that they could invent, that they might be sure to avoid one another. Yet, after all this, it was their perpetual fortune to meet. The reason of which is easy enough to apprehend, for the frenzy and the spleen of both having the same foundation, we may look upon them as two pair of compasses equally extended, and the fixed foot of each remaining in the same centre, which, though moving contrary ways at first, will be sure to encounter somewhere or other in the circumference. Besides, it was among the great misfortunes of Jack to bear a huge personal resemblance with his brother Peter. Their humour and dispositions were not only the same, but there was a close analogy in their shape, their size, and their mien; insomuch as nothing was more frequent than for a bailiff to seize Jack by the shoulders and cry, "Mr. Peter, you are the king’s prisoner;" or, at other times, for one of Peter’s nearest friends to accost Jack with open arms: “Dear Peter, I am glad to see thee; pray send me one of your best medicines for the worms.” This, we may suppose, was a mortifying return of those pains and proceedings Jack had laboured in so long, and finding how directly opposite all his endeavours had answered to the sole end and intention which he had proposed to himself, how could it avoid having terrible effects upon a head and heart so furnished as his? However, the poor remainders of his coat bore all the punishment. The orient sun never entered upon his diurnal progress without missing a piece of it. He hired a tailor to stitch up the collar so close that it was ready to choke him, and squeezed out his eyes at such a rate as one could see nothing but the white. What little was left of the main substance of the coat he rubbed every day for two hours against a rough-cast wall, in order to grind away the remnants of lace and embroidery, but at the same time went on with so much violence that he proceeded a heathen philosopher. Yet after all he could do of this kind, the success continued still to disappoint his expectation, for as it is the nature of rags to bear a kind of mock resemblance to finery, there being a sort of fluttering appearance in both, which is not to be distinguished at a distance in the dark or by short-sighted eyes, so in those junctures it fared with Jack and his tatters, that they offered to the first view a ridiculous flaunting, which, assisting the resemblance in person and air, thwarted all his projects of separation, and left so near a similitude between them as frequently deceived the very disciples and followers of both.
(pp. 97-8 in OUP ed.)
Provenance
Reading
Citation
43 entries in the ESTC (1704, 1705, 1710, 1711, 1724, 1726, 1727, 1733, 1734, 1739, 1741, 1742, 1743, 1747, 1750, 1751, 1752, 1753, 1754, 1756, 1760, 1762, 1766, 1768, 1769, 1771, 1772, 1776, 1781, 1784, 1798).

Reading Jonathan Swift, A Tale of a Tub and Other Works, eds. Angus Ross and David Woolley. (Oxford: Oxford University Press, 1986). Some text drawn from ebooks@Adelaide.

Note, the textual history is complicated. First published May 10, 1704. The second edition of 1704 and the fifth of 1710 include new material. Ross and Woolley's text is an eclectic one, based on the three authoritative editions.

See A Tale of a Tub. Written for the Universal Improvement of Mankind. To Which Is Added, an Account of a Battel Between the Antient and Modern Books in St. James's Library, 2nd edition, corrected (London: Printed for John Nutt, 1704). <Link to ESTC><Link to ECCO>
Date of Entry
09/11/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.