"There is, I grant, a triumph of the pulse, / A dance of spirits, a mere froth of joy, / Our thoughtless Agitation's idle child, / That mantles high, that sparkles, and expires, / Leaving the soul more vapid than before; / An animal ovation! such as holds / No commerce with our reason, but subsists / On juices, through the well-toned tubes well-strain'd; / A nice machine! scarce ever tuned aright; / And when it jars--thy Sirens sing no more, / Thy dance is done; the demi-god is thrown / (Short apotheosis!) beneath the man, / In coward gloom immersed, or fell despair."

— Young, Edward (bap. 1683, d. 1765)


Place of Publication
London
Publisher
Printed for G. Hawkins
Date
1745
Metaphor
"There is, I grant, a triumph of the pulse, / A dance of spirits, a mere froth of joy, / Our thoughtless Agitation's idle child, / That mantles high, that sparkles, and expires, / Leaving the soul more vapid than before; / An animal ovation! such as holds / No commerce with our reason, but subsists / On juices, through the well-toned tubes well-strain'd; / A nice machine! scarce ever tuned aright; / And when it jars--thy Sirens sing no more, / Thy dance is done; the demi-god is thrown / (Short apotheosis!) beneath the man, / In coward gloom immersed, or fell despair."
Metaphor in Context
How ruinous the rock I warn thee shun,
Where Sirens sit to sing thee to thy fate!
A joy in which our reason bears no part
Is but a sorrow tickling ere it stings.
Let not the cooings of the World allure thee;
Which of her lovers ever found her true?
Happy, of this bad World who little know!--
And yet we much must know her to be safe.
To know the World, not love her, is thy point;
She gives but little, nor that little long.
There is, I grant, a triumph of the pulse,
A dance of spirits, a mere froth of joy,
Our thoughtless Agitation's idle child,
That mantles high, that sparkles, and expires,
Leaving the soul more vapid than before;
An animal ovation! such as holds
No commerce with our reason, but subsists
On juices, through the well-toned tubes well-strain'd;
A nice machine! scarce ever tuned aright;
And when it jars--thy Sirens sing no more,
Thy dance is done; the demi-god is thrown
(Short apotheosis!) beneath the man,
In coward gloom immersed, or fell despair.

(pp. 181-2, ll. 1268-90)
Categories
Provenance
Reading
Citation
Uniform title published in 9 volumes, from 1742 to 1745. At least 133 reprintings after 1745 in ESTC (1747, 1748, 1749, 1750, 1751, 1752, 1755, 1756, 1757, 1758, 1760, 1761, 1762, 1764, 1765, 1766, 1767, 1768, 1769, 1770, 1771, 1772, 1773, 1774, 1775, 1776, 1777, 1778, 1779, 1780, 1782, 1783, 1785, 1786, 1787, 1788, 1789, 1790, 1791, 1792, 1793, 1794, 1795, 1796, 1797, 1798, 1800).

Edward Young, The Complaint. Or, Night Thoughts on Life, Death, and Immortality. Night the Eighth. Virtue's Apology: Or, The Man of the World Answer'd. (London: Printed for G. Hawkins, 1745).

Text from The Complete Works, Poetry and Prose, of the Rev. Edward Young, LL.D., 2 vols. (London: William Tegg, 1854). <Link to Google Books>

Reading Edward Young, Night Thoughts, ed. Stephen Cornford (New York: Cambridge UP, 1989).
Date of Entry
09/02/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.