"Give me Leave to tell you, cry'd the young Prince, that when a Heart is touch'd with a powerful Passion, it's incapable of receiving any other Impression."

— Aulnoy, Madame d' (Marie-Catherine) (1650/51-1705)


Place of Publication
London
Publisher
Printed for J. Peele
Date
1692, 1724
Metaphor
"Give me Leave to tell you, cry'd the young Prince, that when a Heart is touch'd with a powerful Passion, it's incapable of receiving any other Impression."
Metaphor in Context
Inea enter'd the Chamber, whilst they were in this silent and melancholy Condition: What is the Cause of this Sorrow, said she? Is this the Way, Eugenia, you entertain our dear sick Lady? You have, without doubt, said something to her, which renews the Remembrance of her past Misfortunes. I have said nothing to Felicia, interrupted the Prince immediately, but what was agreeable to her, therefore do not accuse me; I wou'd undergo any Pain my self, rather than aggravate hers. Alas, Inea! said Felicia, here cruel Eugenia has been reproaching me with Sentiments, I have for a Person, whom she her self wou'd love, were she as well acquainted with him as I am. No (replied Eugenia) I am convinced of the contrary; I even have an invincible Aversion to this unknown, who perfidiously robs me of your Heart, which is a Crime not to be forgiven. This is no Subject to create a Dispute between you and I, said Felicia; the Affection we have for a Lover, or a Friend, is of so different a Nature, that the one does no Prejudice to the other. Give me Leave to tell you, cry'd the young Prince, that when a Heart is touch'd with a powerful Passion, it's incapable of receiving any other Impression. Then you don't believe I love you, Eugenia, interrupted Felicia? I know not what to believe, replied the Prince; but what I am assur'd of, is, no Creature can be in greater Despair. As he ended these Words, Olympia enter'd the Chamber.
(pp. 238-9)
Categories
Provenance
ECCO-TCP
Citation
3 entries in ESTC (1723, 1724, 1739).

The History of John of Bourbon, Prince of Carency. Containing a Variety of Entertaining Novels, Viz. 1. The Surprize, or the Generous Unknown. 2. The Mutual Mistake, or the Unhappy Discovery. 3. The Secret Rival, or the Deceitful Friend. 4. The Perfidious Lady DisAppointed, or the Happy Reconciliation. 5. The Slighted Passion, or the Fatal Resentment. 6. The Unfortunate Lover. 7. The Female Captives. 8. The Distressed Lovers. 9. The Revengeful Rival. 10. The Happy Meeting, or Constant Love Reward. (London: Printed for J. Peele, 1724). <Link to ECCO-TCP>
Date of Entry
08/26/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.