"To understand literally these metaphors or ideas expressed in poetical language, seems to be equally absurd as to conclude, that because painters sometimes represent poets writing from the dictates of a little winged boy or genius, that this same genius did really inform him in a whisper what he was to write; and that he is himself but a mere machine, unconscious of the operations of his own mind."
— Reynolds, Joshua (1723-1792)
Author
Place of Publication
London
Publisher
Printed for Thomas Davies
Date
December 10, 1776; 1777
Metaphor
"To understand literally these metaphors or ideas expressed in poetical language, seems to be equally absurd as to conclude, that because painters sometimes represent poets writing from the dictates of a little winged boy or genius, that this same genius did really inform him in a whisper what he was to write; and that he is himself but a mere machine, unconscious of the operations of his own mind."
Metaphor in Context
If all this means what it is very possible was originally intended only to be meant, that in order to cultivate an art, a man secludes himself from the commerce of the world, and retires into the country at particular seasons; or that at one time of the year his body is in better health, and consequently his mind fitter for the business of hard thinking than at another time; or that the mind may be fatigued and grow confused by long and unremitted application; this I can understand. I can likewise believe, that a man eminent when young for possessing poetical imagination, may, from having taken another road, so neglect its cultivation, as to shew less of its powers in his latter life. But I am persuaded, that scarce a poet is to be found, from Homer down to Dryden, who preserved a sound mind in a sound body, and continued practising his profession to the very last, whose later works are not as replete with the fire of imagination, as those which were produced in his more youthful days.
To understand literally these metaphors or ideas expressed in poetical language, seems to be equally absurd as to conclude, that because painters sometimes represent poets writing from the dictates of a little winged boy or genius, that this same genius did really inform him in a whisper what he was to write; and that he is himself but a mere machine, unconscious of the operations of his own mind.
(pp. 6-7)
To understand literally these metaphors or ideas expressed in poetical language, seems to be equally absurd as to conclude, that because painters sometimes represent poets writing from the dictates of a little winged boy or genius, that this same genius did really inform him in a whisper what he was to write; and that he is himself but a mere machine, unconscious of the operations of his own mind.
(pp. 6-7)
Categories
Provenance
Reading
Citation
From 1769 to 1772 Reynolds' lectures were delivered annually, with each discourse published shortly after its delivery. After 1772, the lectures were delivered biennially. The first seven discourses were collected and published together in 1778. In 1797, the first collected edition of all fifteen appeared, with a second edition issued in 1798. See the ODNB.
Text from A Discourse Delivered to the Students of the Royal Academy, on the Distribution of the Prizes, Dec. the 10, 1776. By the President. (London: Printed for Thomas Davies, 1775). <Link to ECCO>
See also Sir Joshua Reynolds, Seven Discourses Delivered in the Royal Academy by the President (London: T. Cadell, 1778). <Link to Google Books>
Also reading at PGDP.
Text from A Discourse Delivered to the Students of the Royal Academy, on the Distribution of the Prizes, Dec. the 10, 1776. By the President. (London: Printed for Thomas Davies, 1775). <Link to ECCO>
See also Sir Joshua Reynolds, Seven Discourses Delivered in the Royal Academy by the President (London: T. Cadell, 1778). <Link to Google Books>
Also reading at PGDP.
Date of Entry
07/25/2013
