"The fire of the artist's own genius operating upon these materials which have been thus diligently collected, will enable him to make new combinations, perhaps, superior to what had ever before been in the possession of the Art. / / As in the mixture of the variety of metals, which are said to have been melted and run together at the burning of Corinth, a new and till then unknown metal was produced equal in value to any of those that had contributed to its composition."

— Reynolds, Joshua (1723-1792)


Place of Publication
London
Publisher
Printed for Thomas Davies
Date
December 10, 1774; 1775
Metaphor
"The fire of the artist's own genius operating upon these materials which have been thus diligently collected, will enable him to make new combinations, perhaps, superior to what had ever before been in the possession of the Art. / / As in the mixture of the variety of metals, which are said to have been melted and run together at the burning of Corinth, a new and till then unknown metal was produced equal in value to any of those that had contributed to its composition."
Metaphor in Context
From the remains of the works of the antients the modern Arts were revived, and it is by their means, that they must be restored a second time. However it may mortify our vanity, we must be forced to allow them our masters; and we may venture to prophecy, that when they shall cease to be studied, Arts will no longer flourish, and we shall again relapse into barbarism.

The fire of the artist's own genius operating upon these materials which have been thus diligently collected, will enable him to make new combinations, perhaps, superior to what had ever before been in the possession of the Art.

As in the mixture of the variety of metals, which are said to have been melted and run together at the burning of Corinth, a new and till then unknown metal was produced equal in value to any of those that had contributed to its composition.


And though a curious refiner may come with his crucibles, analyse and seperate its various component parts, yet Corinthian brass would still hold its rank amongst the most beautiful and valuable of metals: We have hitherto considered the advantages of imitation as it tends to form the taste, and as a practice by which a spark of that genius may be caught which illumines these noble works, that ought always to be present to our thoughts.
(pp. 25-6)
Provenance
Reading
Citation
From 1769 to 1772 Reynolds' lectures were delivered annually, with each discourse published shortly after its delivery. After 1772, the lectures were delivered biennially. The first seven discourses were collected and published together in 1778. In 1797, the first collected edition of all fifteen appeared, with a second edition issued in 1798. See the ODNB.

Text from A Discourse Delivered to the Students of the Royal Academy, on the Distribution of the Prizes, Dec. the 10th, 1774. By the President. (London: Printed for Thomas Davies, 1775). <Link to ECCO>

See also Sir Joshua Reynolds, Seven Discourses Delivered in the Royal Academy by the President (London: T. Cadell, 1778). <Link to Google Books>

Also reading at PGDP.
Date of Entry
07/25/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.