"My looks stedfastly fixed upon her fine black eyes; my very soul attached to her's, and seizing her ideas so strongly, that I hardly heard the words which expressed them."

— Goethe, Johann Wolfgang (1749-1832)


Place of Publication
Leipzig
Publisher
Weygand'sche Buchhandlung
Date
1774, rev. 1787, 1779 in English
Metaphor
"My looks stedfastly fixed upon her fine black eyes; my very soul attached to her's, and seizing her ideas so strongly, that I hardly heard the words which expressed them."
Metaphor in Context
"We then talked of dancing. "If it is a fault to love dancing," said she, " I will freely own that I am extremely guilty; no amusement is more agreeable to me. If any thing disturbs me, I go to my harpsicord, play some of the lively airs I have danced to, and all is forgotten." You know me, and will figure to yourself my countenance whilst she was speaking--My looks stedfastly fixed upon her fine black eyes; my very soul attached to her's, and seizing her ideas so strongly, that I hardly heard the words which expressed them. At length I got out of the coach like one that dreams; and I found myself in the assembly room, without knowing how I came there.
(Vol. I, Letter X [June 16], pp. 50-1)

Das Gespräch fiel aufs Vergnügen am Tanze. – »wenn diese Leidenschaft ein Fehler ist,« sagte Lotte, »so gestehe ich Ihnen gern, ich weiß mir nichts übers Tanzen. Und wenn ich was im Kopfe habe und mir auf meinem verstimmten Klavier einen Contretanz vortrommle, so ist alles wieder gut«.

Wie ich mich unter dem Gespräche in den schwarzen Augen weidete – wie die lebendigen Lippen und die frischen, muntern Wangen meine ganze Seele anzogen – wie ich, in den herrlichen Sinn ihrer Rede ganz versunken, oft gar die Worte nicht hörte, mit denen sie sich ausdrückte – davon hast du eine Vorstellung, weil du mich kennst. Kurz, ich stieg aus dem Wagen wie ein Träumender, als wir vor dem Lusthause stille hielten, und war so in Träumen rings in der dämmernden Welt verloren, daß ich auf die Musik kaum achtete, die uns von dem erleuchteten Saal herunter entgegenschallte.
(Am 16. Junius, pp. 25-6 in Reclam)
Provenance
Google Books
Citation
An international bestseller with 27 entries for the uniform title "Leiden des jungen Werthers. English" in the ESTC (1779, 1780, 1781, 1782, 1783, 1784, 1785, 1786, 1787, 1788, 1789, 1790, 1791, 1793, 1794, 1795, 1796, 1799).

I consulted, concurrently, the German and eighteenth-century English translations. See Johann Wolfgang von Goethe, The Sorrows of Werter: a German Story. 2 vols (London: Printed for J. Dodsley, 1779), <Link to ECCO>. But, note, the translation is not always literal; the translator repeatedly tones down Werther's figurative language (especially, it seems, in the second volume): "A few expressions which had this appearance [of extravagance] have been omitted by the French, and a few more by the English translator, as they might possibly give offence in a work of this nature" (Preface).

Searching English text from a 1784 printing (Dodsley, "A New Edition") in Google Books <Link to volume I><Link to voume II>

Reading Die Leiden des jungen Werther (Stuttgart: Reclam, 2002). German text from http://gutenberg.spiegel.de/buch/3636/1. Printed in 1774 in Leipzig, Weygand'sche Buchhandlung.
Date of Entry
07/14/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.