Dennis, John (1658-1734)

The Grounds of Criticism in Poetry

London

Printed for Geo. Strahan

1704

"For the Spirits being set in a violent emotion, and the Imagination being fir'd by that agitation; and the Brain being deeply penetrated by those Impressions, the very Objects themselves are set as it were before us, and consequently we are sensible of the same Passion that we should feel from the things themselves."

'Tis very plain that it is the Apprehension of Danger which causes that emotion in us which we call Terrour, and it signifies nothing at all to the purpose whether the Danger is real or imaginary; and 'tis as plain too, that the Soul never takes the Alarm from any thing so soon as it does from the Senses, especially those two noble ones of the Eye and the Ear, by reason of the strict affinity which they have with the Imagination; and the Evil always seems to be very near, when those two Senses give notice of it; and the nearer the Evil is the greater still is the Terror. But now let us see how those two Poets, did by Virtue of their Ideas, bring even absent, Terrible Objects, within the reach of those two noble Senses. First then to bring an absent Terrible Object before our Sight, they drew an Image or Picture of it; but to draw an Image or Picture of a Terrible Object, so as to surprise and astonish the Soul by the Eye, they never fail'd to draw it in violent Action or Motion; and in Order to that they made choice of Words and Numbers, which might best express the violence of that Action or Motion. For an absent Object can never be set before the Eye in a true Light, unless it is shewn in violent Action or Motion. Because unless it is shewn so, the Soul has leisure to reflect upon the Deceit. But violent Motion can never be conceived without a violent agitation of Spirit, and that sudden agitation surprises the Soul and gives it less time to Reflect; and at the same time causes the Impressions that the Objects make to be so Deep, and their traces to be so profound, that it makes them in a manner as present to us as if they were really before us. For the Spirits being set in a violent emotion, and the Imagination being fir'd by that agitation; and the Brain being deeply penetrated by those Impressions, the very Objects themselves are set as it were before us, and consequently we are sensible of the same Passion that we should feel from the things themselves. For the warmer the Imagination is, the less able we are to Reflect, and consequently the things are the more present to us of which we draw the Images; and therefore when the Imagination is so inflam'd as to render the Soul utterly incapable of reflecting there is no difference between the Images and the things themselves; as we may see for example by Men in Raging Feavours. But those two great Poets were not satisfied with setting absent Objects before our Eyes, by shewing them in violent motion; but if their motion occasion'd any Extraordinary Sounds that were terrifying; they so contriv'd their Numbers and Expressions, as that they might be sure to ring those sounds in the very Ears of their Readers.
(pp. 90-3)

Impressions

C-H Lion

The Grounds of Criticism in Poetry, Contain'd In some New Discoveries never made before, requisite for the Writing and Judging of Poems surely. Being A Preliminary to a larger Work design'd to be publish'd in Folio, and Entituled, A Criticism upon our most Celebrated English Poets Deceas'd. By Mr. Dennis (London: Printed for Geo. Strahan and Bernard Lintott, 1704). <Link to ECCO-TCP> [46], 127 p.

07/11/2013