"Social friends, / Attuned to happy unison of soul; / To whose exalting eye a fairer world, / Of which the vulgar never had a glimpse, / Displays its charms; whose minds are richly fraught / With philosophic stores, superior light; / And in whose breast, enthusiastic, burns / Virtue, the sons of interest deem romance; / Now call'd abroad enjoy the falling day."
— Thomson, James (1700-1748)
Author
Work Title
Place of Publication
London
Publisher
Printe for A. Millar
Date
1746
Metaphor
"Social friends, / Attuned to happy unison of soul; / To whose exalting eye a fairer world, / Of which the vulgar never had a glimpse, / Displays its charms; whose minds are richly fraught / With philosophic stores, superior light; / And in whose breast, enthusiastic, burns / Virtue, the sons of interest deem romance; / Now call'd abroad enjoy the falling day."
Metaphor in Context
The sun has lost his rage: his downward orb
Shoots nothing now but animating warmth
And vital lustre; that with various ray
Lights up the clouds, those beauteous robes of Heaven,
Incessant roll'd into romantic shapes,
The dream of waking fancy! broad below,
Cover'd with ripening fruits, and swelling fast
Into the perfect year, the pregnant earth
And all her tribes rejoice. Now the soft hour
Of walking comes: for him who lonely loves
To seek the distant hills, and there converse
With Nature; there to harmonize his heart,
And in pathetic song to breathe around
The harmony to others. Social friends,
Attuned to happy unison of soul;
To whose exalting eye a fairer world,
Of which the vulgar never had a glimpse,
Displays its charms; whose minds are richly fraught
With philosophic stores, superior light;
And in whose breast, enthusiastic, burns
Virtue, the sons of interest deem romance;
Now call'd abroad enjoy the falling day:
Now to the verdant Portico of woods,
To Nature's vast Lyceum forth they walk;
By that kind School where no proud master reigns,
The full free converse of the friendly heart,
Improving and improved. Now from the world,
Sacred to sweet retirement, lovers steal,
And pour their souls in transport, which the Sire
Of love approving hears, and calls it good.
Which way, Amanda, shall we bend our course?
The choice perplexes. Wherefore should we choose?
All is the same with thee. Say, shall we wind
Along the streams? or walk the smiling mead?
Or court the forest glades? or wander wild
Among the waving harvests? or ascend,
While radiant Summer opens all its pride,
Thy hill, delightful Shene? Here let us sweep
The boundless landscape: now the raptured eye,
Exulting swift, to huge Augusta send,
Now to the Sister-Hills that skirt her plain,
To lofty Harrow now, and now to where
Majestic Windsor lifts his princely brow.
In lovely constrast to this glorious view
Calmly magnificent, then will we turn
To where the silver Thames first rural grows.
There let the feasted eye unwearied stray:
Luxurious, there, rove through the pendent woods
That nodding hang o'er Harrington's retreat;
And, stooping thence to Ham's embowering walks,
Beneath whose shades, in spotless peace retired,
With Her the pleasing partner of his heart,
The worthy Queensberry yet laments his Gay,
And polish'd Cornbury woos the willing Muse,
Slow let us trace the matchless vale of Thames;
Fair winding up to where the Muses haunt
In Twit'nam's bowers, and for their Pope implore
The healing God; to royal Hampton's pile,
To Clermont's terraced height, and Esher's groves,
Where in the sweetest solitude, embraced
By the soft windings of the silent Mole,
From courts and senates Pelham finds repose. [...]
(pp. 74-6 in Sambrook edition, pp. 108-110 in original)
Shoots nothing now but animating warmth
And vital lustre; that with various ray
Lights up the clouds, those beauteous robes of Heaven,
Incessant roll'd into romantic shapes,
The dream of waking fancy! broad below,
Cover'd with ripening fruits, and swelling fast
Into the perfect year, the pregnant earth
And all her tribes rejoice. Now the soft hour
Of walking comes: for him who lonely loves
To seek the distant hills, and there converse
With Nature; there to harmonize his heart,
And in pathetic song to breathe around
The harmony to others. Social friends,
Attuned to happy unison of soul;
To whose exalting eye a fairer world,
Of which the vulgar never had a glimpse,
Displays its charms; whose minds are richly fraught
With philosophic stores, superior light;
And in whose breast, enthusiastic, burns
Virtue, the sons of interest deem romance;
Now call'd abroad enjoy the falling day:
Now to the verdant Portico of woods,
To Nature's vast Lyceum forth they walk;
By that kind School where no proud master reigns,
The full free converse of the friendly heart,
Improving and improved. Now from the world,
Sacred to sweet retirement, lovers steal,
And pour their souls in transport, which the Sire
Of love approving hears, and calls it good.
Which way, Amanda, shall we bend our course?
The choice perplexes. Wherefore should we choose?
All is the same with thee. Say, shall we wind
Along the streams? or walk the smiling mead?
Or court the forest glades? or wander wild
Among the waving harvests? or ascend,
While radiant Summer opens all its pride,
Thy hill, delightful Shene? Here let us sweep
The boundless landscape: now the raptured eye,
Exulting swift, to huge Augusta send,
Now to the Sister-Hills that skirt her plain,
To lofty Harrow now, and now to where
Majestic Windsor lifts his princely brow.
In lovely constrast to this glorious view
Calmly magnificent, then will we turn
To where the silver Thames first rural grows.
There let the feasted eye unwearied stray:
Luxurious, there, rove through the pendent woods
That nodding hang o'er Harrington's retreat;
And, stooping thence to Ham's embowering walks,
Beneath whose shades, in spotless peace retired,
With Her the pleasing partner of his heart,
The worthy Queensberry yet laments his Gay,
And polish'd Cornbury woos the willing Muse,
Slow let us trace the matchless vale of Thames;
Fair winding up to where the Muses haunt
In Twit'nam's bowers, and for their Pope implore
The healing God; to royal Hampton's pile,
To Clermont's terraced height, and Esher's groves,
Where in the sweetest solitude, embraced
By the soft windings of the silent Mole,
From courts and senates Pelham finds repose. [...]
(pp. 74-6 in Sambrook edition, pp. 108-110 in original)
Categories
Provenance
Reading; text from C-H Lion
Citation
See The Seasons. By James Thomson. (London: Printed [by Henry Woodfall] for A. Millar, in the Strand, 1746). 234 pp. <Link to ECCO>
Summer was first published in 1727. Text much revised and expanded between 1727 and 1746. Searching metaphors in The Poetical Works (1830) through Stanford HDIS interface, later checked against earlier editions. Also reading James Sambrook's edition of The Seasons and The Castle of Indolence (Oxford: Clarendon Press, 1972), which reproduces the 1746 edition of Thomson's poem.
Summer was first published in 1727. Text much revised and expanded between 1727 and 1746. Searching metaphors in The Poetical Works (1830) through Stanford HDIS interface, later checked against earlier editions. Also reading James Sambrook's edition of The Seasons and The Castle of Indolence (Oxford: Clarendon Press, 1972), which reproduces the 1746 edition of Thomson's poem.
Date of Entry
07/07/2013
