"A Painter therefore of true Genius, having his fancy strongly impressed and wholly occupied by the most lively conceptions of the objects of which he intends to express the resemblance, has immediate recourse to his pencil, and attempts, by the dexterous use of colours, to sketch out those perfect and living figures which exist in his own mind."

— Duff, William (1732-1815)


Place of Publication
London
Publisher
Printed for Edward and Charles Dilly
Date
1767
Metaphor
"A Painter therefore of true Genius, having his fancy strongly impressed and wholly occupied by the most lively conceptions of the objects of which he intends to express the resemblance, has immediate recourse to his pencil, and attempts, by the dexterous use of colours, to sketch out those perfect and living figures which exist in his own mind."
Metaphor in Context
The same VIVACITY and ARDOR of Imagination which indicates the Poet, characterises likewise and distinguishes the Painter; the signs only being different by which it is expressed. The former endeavours to impart his sentiments and ideas to us by verbal description; the latter sets before our eyes a striking resemblance of the objects of which he intends to convey an idea, by the ingenious contrivance of various colours delicately blended, and by the proper union of light and shade. In order to effect his purpose, he must have his imagination possessed with very vivid conceptions of the objects he would thus exhibit; otherwise it is impossible he should delineate the transcript of them upon canvas. The Imagination must guide the hand in the design and execution of the whole. A Painter therefore of true Genius, having his fancy strongly impressed and wholly occupied by the most lively conceptions of the objects of which he intends to express the resemblance, has immediate recourse to his pencil, and attempts, by the dexterous use of colours, to sketch out those perfect and living figures which exist in his own mind. He will be frequently observed to employ his talents in this manner; and the eminence and extent of his Genius is indicated by the degree of his success.
(pp. 39-41)
Categories
Provenance
C-H Lion
Citation
2 entries in ESTC (1767).

Text from William Duff, An Essay on Original Genius; and its Various Modes of Exertion in Philosophy and the Fine Arts, Particularly in Poetry (London: Printed for Edward and Charles Dilly, 1767). <Link to ESTC>
Date of Entry
07/01/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.