"Oh Heaven! cry'd the transported Charlotta, all you have done, or even can do of Unkindness, is by one tender Word made full amends for; see at your Feet (continued she, falling on her Knees) thus in this humble Posture, which best becomes my prostrate Soul, I beg you to accept the Pardon which I bring, to banish from your Mind all Thoughts that you have injured me, and leave it free from all those generous Joys, the making others happy, must create."
— Haywood [née Fowler], Eliza (1693?-1756)
Place of Publication
London
Date
1719-1720, 1725
Metaphor
"Oh Heaven! cry'd the transported Charlotta, all you have done, or even can do of Unkindness, is by one tender Word made full amends for; see at your Feet (continued she, falling on her Knees) thus in this humble Posture, which best becomes my prostrate Soul, I beg you to accept the Pardon which I bring, to banish from your Mind all Thoughts that you have injured me, and leave it free from all those generous Joys, the making others happy, must create."
Metaphor in Context
Oh, then remember, if not to me, what 'tis you owe your self, your own exalted Merits, and you will soon determine in my Favour, and confess that she, who loves you best, ought to be best beloved. She spoke these Words in so moving an Accent, and they were accompany'd with so many Tears, that the most rocky Heart must have relented; and that the Marquis was sensibly touch'd with 'em, his Countenance testify'd, when sighing, and turning his Head a little away, not with Disdain, but Remorse for the Infidelity he had been guilty of: Oh, cease, said he, this Flood of Softness, it gives me Pains I never felt before, for 'tis impossible you can forgive--Oh Heaven! cry'd the transported Charlotta, all you have done, or even can do of Unkindness, is by one tender Word made full amends for; see at your Feet (continued she, falling on her Knees) thus in this humble Posture, which best becomes my prostrate Soul, I beg you to accept the Pardon which I bring, to banish from your Mind all Thoughts that you have injured me, and leave it free from all those generous Joys, the making others happy, must create: This Action of Charlotta's, join'd to the Reflection, how strangely every Thing happen'd to prevent his Designs on the other, won him entirely, and raising her with a tender Embrace, put it out of her Power to regret his ever being False,-since his Return gave her a Taste of Joys, which are not but in Reconciliation to be found.
(pp. 274)
(pp. 274)
Categories
Provenance
C-H Lion
Citation
At least 12 entries in ESTC (1719, 1720, 1721, 1722, 1724, 1725, 1732, 1742).
Published in 3 parts in 1719-1720. <Part 1, ESTC><Part 2, ESTC><Part 3, ESTC>
See Eliza Haywood, Love in Excess: or the Fatal Enquiry, a Novel (London: Printed for W. Chetwood; and R. Francklin; and sold by J. Roberts, 1719). <Link to ECCO>
Text from Vol. 1 of Secret Histories, Novels and Poems. In Four Volumes. Written by Mrs. Eliza Haywood. (London: Printed [partly by Samuel Aris] for Dan. Browne, jun. at the Black Swan without Temple-Bar; and S. Chapman, at the Angel in Pall-Mall, 1725). <Link to ESTC><Link to LION>
Published in 3 parts in 1719-1720. <Part 1, ESTC><Part 2, ESTC><Part 3, ESTC>
See Eliza Haywood, Love in Excess: or the Fatal Enquiry, a Novel (London: Printed for W. Chetwood; and R. Francklin; and sold by J. Roberts, 1719). <Link to ECCO>
Text from Vol. 1 of Secret Histories, Novels and Poems. In Four Volumes. Written by Mrs. Eliza Haywood. (London: Printed [partly by Samuel Aris] for Dan. Browne, jun. at the Black Swan without Temple-Bar; and S. Chapman, at the Angel in Pall-Mall, 1725). <Link to ESTC><Link to LION>
Date of Entry
06/30/2013
