"The Duke try'd every corner of his uneasie Bed! whether shut or open, Charlot was still before his Eyes! his Lips and Face retain'd the dear Impression of her Kisses! the Idea of her innocent and charming Touches, wander'd o'er his Mind!"

— Manley, Delarivier (c. 1670-1724)


Place of Publication
London
Publisher
Printed for John Morphew and J. Woodward
Date
1709
Metaphor
"The Duke try'd every corner of his uneasie Bed! whether shut or open, Charlot was still before his Eyes! his Lips and Face retain'd the dear Impression of her Kisses! the Idea of her innocent and charming Touches, wander'd o'er his Mind!"
Metaphor in Context
That fatal Night the Duke felt hostile Fires in his Breast, Love was entred with all his dreadful Artillery; he took possession in a moment of the Avenues that lead to the Heart! neither did the resistance he found there serve for any thing but to make his Conquest more illustrious. The Duke try'd every corner of his uneasie Bed! whether shut or open, Charlot was still before his Eyes! his Lips and Face retain'd the dear Impression of her Kisses! the Idea of her innocent and charming Touches, wander'd o'er his Mind! he wish'd again to be so bless'd, but then, with a deep and dreadful Sigh, he remembred who she was, the Daughter of his Friend! of a Friend who had at his Death left the charge of her Education to him! his Treaty with the Princess Dowager, wou'd not admit him to think of marrying of her, Ambition came in to rescue him (in that particular) from the Arms of Love. To possess her without, was a villanous detestable Thought! but not to possess her at all, was loss of Life! was Death inevitable! Not able to gain one wink of Sleep, he arose with the first Dawn, and posted back to Angela. He hop'd the hurry of Business, and the Pleasures of the Court, wou'd stifle so guilty a Passion; he was too well perswaded of his Distemper, the Symptoms were right, the Malignity was upon him! he was regularly possess'd! Love, in all its forms, had took in that formidable Heart of his! he began to be jealous of his Son, whom he had always design'd for Charlot's Husband; he cou'd not bear the thoughts that he shou'd be belov'd by her, tho' all beautiful, as the lovely Youth was. She had never had any tender Inclinations for him, nothing that exceeded the warmth of a Sister's love! whether it were that he were designed for, or that the Precepts of Education had warn'd her from too precipitate a liking: She was bred up with him, accustom'd to his Charms, they made no impression upon her Heart! neither was the Youth more sensible. The Duke cou'd distress neither of 'em by his love of that side, but this he was not so happy to know. He wrote up for the young Lord to come to Court, and gave immediate orders for forming his Equipage, that he might be sent to Travel: Mean time Charlot was never from his Thoughts. Who knows not the violence of beginning Love! especially a Love that we hold opposite to our Interest and Duty? 'Tis an unreasonable excess of Desire, which enters swiftly, but departs slowly.
(pp. 58-9)
Provenance
Searching "mind" in C-H Lion
Citation
At least 11 entries in ECCO and ESTC (1709, 1716).

Delariviere Manley, Secret Memoirs and Manners of Several Persons of Quality, of Both Sexes. From the New Atalantis, an Island in the Mediteranean. Written Originally in Italian, and Translated from the Third Edition of the French. The Second Volume. (London: Printed for John Morphew near Stationer's-Hall, and J. Woodward in St. Christopher's Church-Yard, in Thread-Needle-Street, 1709). <Link to ECCO> <Link to Google Books>
Date of Entry
06/21/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.