"Whether he had done so in his first assertion was a question, which had raised in Vivaldi's mind a tempest of conjecture and of horror; for, while the subject of it was too astonishing to be fully believed, it was also too dreadful, not to be apprehended even as a possibility."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"Whether he had done so in his first assertion was a question, which had raised in Vivaldi's mind a tempest of conjecture and of horror; for, while the subject of it was too astonishing to be fully believed, it was also too dreadful, not to be apprehended even as a possibility."
Metaphor in Context
Whether he had done so in his first assertion was a question, which had raised in Vivaldi's mind a tempest of conjecture and of horror; for, while the subject of it was too astonishing to be fully believed, it was also too dreadful, not to be apprehended even as a possibility.
(III.viii, p. 424)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.