"It was not, however, immediately that he could convince himself the appearance was more than the phantom of his dream, strongly impressed upon an alarmed fancy."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"It was not, however, immediately that he could convince himself the appearance was more than the phantom of his dream, strongly impressed upon an alarmed fancy."
Metaphor in Context
A groan awakened him, but what were his feelings, when, on looking up, he perceived the same figure standing before him! It was not, however, immediately that he could convince himself the appearance was more than the phantom of his dream, strongly impressed upon an alarmed fancy. The voice of the monk, for his face was as usual concealed, recalled Vivaldi from his error; but his emotion cannot easily be conceived, when the stranger, slowly lifting that mysterious cowl, discovered to him the same awful countenance, which had characterised the vision in his slumber. Unable to inquire the occasion of this appearance, Vivaldi gazed in astonishment and terror, and did not immediately observe, that, instead of a dagger, the monk held a lamp, which gleamed over every deep furrow of his features, yet left their shadowy markings to hint the passions and the history of an extraordinary life.
(III.v, p. 368)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.