"Nor did those particular circumstances accord, as he was inclined to believe, with the manner of a being of this world; and, when Vivaldi considered the suddenness and mystery with which the stranger had always appeared and retired, he felt disposed to adopt again one of his earliest conjectures, which undoubtedly the horrors of his present abode disposed his imagination to admit, as those of his former situation in the vaults of Paluzzi, together with a youthful glow of curiosity concerning the marvellous, had before contributed to impress them upon his mind."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"Nor did those particular circumstances accord, as he was inclined to believe, with the manner of a being of this world; and, when Vivaldi considered the suddenness and mystery with which the stranger had always appeared and retired, he felt disposed to adopt again one of his earliest conjectures, which undoubtedly the horrors of his present abode disposed his imagination to admit, as those of his former situation in the vaults of Paluzzi, together with a youthful glow of curiosity concerning the marvellous, had before contributed to impress them upon his mind."
Metaphor in Context
Some particulars, also, of the stranger's conduct did not agree with what might have been expected from Schedoni, even though the Confessor had really been Vivaldi's enemy; a circumstance which the latter was no longer permitted to doubt. Nor did those particular circumstances accord, as he was inclined to believe, with the manner of a being of this world; and, when Vivaldi considered the suddenness and mystery with which the stranger had always appeared and retired, he felt disposed to adopt again one of his earliest conjectures, which undoubtedly the horrors of his present abode disposed his imagination to admit, as those of his former situation in the vaults of Paluzzi, together with a youthful glow of curiosity concerning the marvellous, had before contributed to impress them upon his mind.
(III.v, p. 367)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.