"In reply to this, Vivaldi only bowed, but he remarked that the stranger's countenance altered, and that some dark brooding appeared to cloud his mind, as he quitted the chamber."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"In reply to this, Vivaldi only bowed, but he remarked that the stranger's countenance altered, and that some dark brooding appeared to cloud his mind, as he quitted the chamber."
Metaphor in Context
The latter part of the speech was delivered in a low voice, as if the stranger feared to be overheard. Vivaldi remained silent, while he examined, with closer attention, the countenance of his visitor. It was of the utmost importance to him, that his family should be made acquainted with his situation; yet he knew not exactly how to interpret, or to confide in this offer. Vivaldi had heard that informers sometimes visited the prisoners, and, under the affectation of kindness and sympathy, drew from them a confession of opinions, which were afterwards urged against them; and obtained discoveries relative to their connections and friends, who were, by these insidious means, frequently involved in their destruction. Vivaldi, conscious of his own innocence, had, on his first examination, acquainted the inquisitor with the names and residence of his family; he had, therefore, nothing new to apprehend from revealing them to this stranger; but he perceived that if it should be known he had attempted to convey a message, however concise and harmless, the discovery would irritate the jealous inquisitors against him, and might be urged as a new presumption of his guilt. These considerations, together with the distrust which the inconsistency of his visitor's assertions, and the occasional embarrassment of his manner, had excited, determined Vivaldi to resist the temptation now offered to him; and the stranger, having received his thanks, reluctantly withdrew, observing, however, that should any unforeseen circumstance detain him in the Inquisition longer than he had reason to expect, he should beg leave to pay him another visit. In reply to this, Vivaldi only bowed, but he remarked that the stranger's countenance altered, and that some dark brooding appeared to cloud his mind, as he quitted the chamber.
(III.v, pp. 356-7)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.