"His numerous avocations and interests, however, seemed to prevent such anxiety from preying upon his mind; and, having dismissed persons in search of Vivaldi, he passed his time in the usual routine of company and the court."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"His numerous avocations and interests, however, seemed to prevent such anxiety from preying upon his mind; and, having dismissed persons in search of Vivaldi, he passed his time in the usual routine of company and the court."
Metaphor in Context
The last assertion was admitted by the Marchesa to be probable, till the boldness of the first made her doubt the truth of each, and occasioned her new surprize and conjecture as to the motive, which could induce Schedoni to venture these untruths. She then inquired where Ellena was now disposed of, but he had too much prudence to disclose the place of her retreat, however plausible might be the air, with which the inquiry was urged; and he endeavoured to call off her attention to Vivaldi. The Confessor did not, however, venture, at present, to give a hint as to the pretended discovery of his situation in the inquisition, but reserved to a more favourable opportunity such mention, together with a zealous offer of his services to extricate the prisoner. The Marchesa, believing that her son was still engaged in pursuit of Ellena, made many inquiries concerning him, but without expressing any solicitude for his welfare; resentment appearing to be the only emotion she retained towards him. While Schedoni replied with circumspection to her questions, he urged inquiries of his own, as to the manner in which the Marchese endured the long absence of Vivaldi; thus endeavouring to ascertain how far he might hereafter venture to appear in any efforts for liberating him, and how shape his conduct respecting Ellena. It seemed that the Marchese was not indifferent as to his son's absence; and, though he had at first believed the search for Ellena to have occasioned it, other apprehensions now disturbed him, and taught him the feelings of a father. His numerous avocations and interests, however, seemed to prevent such anxiety from preying upon his mind; and, having dismissed persons in search of Vivaldi, he passed his time in the usual routine of company and the court. Of the actual situation of his son it was evident that neither he, nor the Marchesa, had the least apprehension, and this was a circumstance, which the Confessor was very careful to ascertain.
(III.iii, pp. 342-3)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.