"At the extravagance of her suspicions, however, and the weakness of her terrors, she blushed, and endeavoured to resist that propensity to fear, which nerves long pressed upon had occasioned in her mind."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"At the extravagance of her suspicions, however, and the weakness of her terrors, she blushed, and endeavoured to resist that propensity to fear, which nerves long pressed upon had occasioned in her mind."
Metaphor in Context
A few moments brought them to the spot, where, retired at a short distance among the woods that browed the hill, they observed the extensive remains of what seemed to have been a villa, and which, from the air of desolation it exhibited, Schedoni would have judged to be wholly deserted, had he not already seen a person enter. Wearied and exhausted, he determined to ascertain whether any refreshment could be procured from the inhabitants within, and the party alighted before the portal of a deep and broad avenue of arched stone, which seemed to have been the grand approach to the villa. Over this majestic portal rose the light boles and tall heads of aloes; while the Indian-fig threw its broad leaves in many a luxuriant cluster among the capitals and rich ornaments below. The entrance was obstructed by fragments of columns, and by the underwood that had taken root amongst them. The travellers, however, easily overcame these interruptions: but, as the avenue was of considerable extent, and as its only light proceeded from the portal, except what a few narrow loops in the walls admitted, they soon found themselves involved in an obscurity that rendered the way difficult, and Schedoni endeavoured to make himself heard by the person he had seen. The effort was unsuccessful, but, as they proceeded, a bend in the passage shewed a distant glimmering of light, which served to guide them to the opposite entrance, where an arch opened immediately into a court of the villa. Schedoni paused here in disappointment, for every object seemed to bear evidence of abandonment and desolation; and he looked, almost hopelessly, round the light colonnade which ran along three sides of the court, and to the palmetos that waved over the fourth, in search of the person, who had been seen from the road. No human figure stole upon the vacancy; yet the apt fears of Ellena almost imaged the form of Spalatro gliding behind the columns, and she started as the air shook over the wild plants that wreathed them, before she discovered that it was not the sound of steps. At the extravagance of her suspicions, however, and the weakness of her terrors, she blushed, and endeavoured to resist that propensity to fear, which nerves long pressed upon had occasioned in her mind.
(III.i, pp. 302-3)
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.