"When their first excess was exhausted, and his mind was calm enough to reflect, the images that appeared on it struck him with solemn wonder."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"When their first excess was exhausted, and his mind was calm enough to reflect, the images that appeared on it struck him with solemn wonder."
Metaphor in Context
Schedoni, meanwhile, shut up in his chamber, was agitated by feelings of a very opposite nature. When their first excess was exhausted, and his mind was calm enough to reflect, the images that appeared on it struck him with solemn wonder. In pursuing Ellena at the criminal instigation of the Marchesa di Vivaldi, it appeared that he had been persecuting his own child; and in thus consenting to conspire against the innocent, he had in the event been only punishing the guilty, and preparing mortification for himself on the exact subject to which he had sacrificed his conscience. Every step that he had taken with a view of gratifying his ambition was retrograde, and while he had been wickedly intent to serve the Marchesa and himself, by preventing the marriage of Vivaldi and Ellena, he had been laboriously counteracting his own fortune. An alliance with the illustrious house of Vivaldi, was above his loftiest hope of advancement, and this event he had himself nearly prevented by the very means which had been adopted, at the expence of every virtuous consideration, to obtain an inferior promotion. Thus by a singular retribution, his own crimes had recoiled upon himself.
(II.x, p. 281)
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.