"As they passed with silent steps along the winding rocks, the tranquillity of the landscape below afforded an affecting contrast with the tumult and alarm of their minds."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"As they passed with silent steps along the winding rocks, the tranquillity of the landscape below afforded an affecting contrast with the tumult and alarm of their minds."
Metaphor in Context
Vivaldi drew back; yet dreading every moment, that he lingered near the monastery, to hear the voice of Jeronimo, or other persons, from the avenue, he was sometimes inclined to proceed at any hazard. The only practicable path leading to the base of the mountain, however, was now occupied by these devotees, and to mingle with them was little less than certain destruction. A bright moonlight shewed distinctly every figure that moved in the scene, and the fugitives kept within the shadow of the walls, till, warned by an approaching footstep, they crossed to the feet of the cliffs that rose beyond some palmy hillocks on the right, whose dusky recesses promised a temporary shelter. As they passed with silent steps along the winding rocks, the tranquillity of the landscape below afforded an affecting contrast with the tumult and alarm of their minds.
(II.i, p. 169)
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.