"The early breeze sighing among the foliage, that waved high over the path, and the hollow dashing of distant waters, he listened to with complacency, for these were sounds which soothed yet promoted his melancholy mood; and he sometimes rested to gaze upon the scenery around him, for this too was in harmony with the temper of his mind."
— Radcliffe [née Ward], Ann (1764-1823)
Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"The early breeze sighing among the foliage, that waved high over the path, and the hollow dashing of distant waters, he listened to with complacency, for these were sounds which soothed yet promoted his melancholy mood; and he sometimes rested to gaze upon the scenery around him, for this too was in harmony with the temper of his mind."
Metaphor in Context
A few devotees only had begun to ascend the mountain, and Vivaldi kept aloof even from these, pursuing a lonely track, for his thoughtful mind desired solitude. The early breeze sighing among the foliage, that waved high over the path, and the hollow dashing of distant waters, he listened to with complacency, for these were sounds which soothed yet promoted his melancholy mood; and he sometimes rested to gaze upon the scenery around him, for this too was in harmony with the temper of his mind. Disappointment had subdued the wilder energy of the passions, and produced a solemn and lofty state of feeling; he viewed with pleasing sadness the dark rocks and precipices, the gloomy mountains and vast solitudes, that spread around him; nor was the convent he was approaching a less sacred feature of the scene, as its gray walks and pinnacles appeared beyond the dusky groves. 'Ah! if it should enclose her!' said Vivaldi, as he caught a first glimpse of its hall. 'Vain hope! I will not invite your illusions again, I will not expose myself to the agonies of new disappointment; I will search, but not expect. Yet, if she should be there!'
(I.xi, p. 135)
(I.xi, p. 135)
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Citation
Date of Entry
06/04/2013