"Meanwhile, the deep impression made by his unknown tormentor, the monk, and especially by the prediction of the death of Bianchi, remained upon his mind, and he once more determined to ascertain, if possible, the true nature of this portentous visitant, and what were the motives which induced him thus to haunt his footsteps and interrupt his peace."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"Meanwhile, the deep impression made by his unknown tormentor, the monk, and especially by the prediction of the death of Bianchi, remained upon his mind, and he once more determined to ascertain, if possible, the true nature of this portentous visitant, and what were the motives which induced him thus to haunt his footsteps and interrupt his peace."
Metaphor in Context
Meanwhile, the deep impression made by his unknown tormentor, the monk, and especially by the prediction of the death of Bianchi, remained upon his mind, and he once more determined to ascertain, if possible, the true nature of this portentous visitant, and what were the motives which induced him thus to haunt his footsteps and interrupt his peace. He was awed by the circumstances which had attended the visitations of the monk, if monk it was; by the suddenness of his appearance, and departure; by the truth of his prophecies; and, above all, by the solemn event which had verified his last warning; and his imagination, thus elevated by wonder and painful curiosity, was prepared for something above the reach of common conjecture, and beyond the accomplishment of human agency. His understanding was sufficiently clear and strong to teach him to detect many errors of opinion that prevailed around him, as well as to despise the common superstitions of his country, and, in the usual state of his mind, he probably would not have hesitated for a moment on the subject before him; but his passions were now interested and his fancy awakened, and, though he was unconscious of this propensity, he would, perhaps, have been somewhat disappointed to have descended suddenly from the region of fearful sublimity, to which he had soared - the world of terrible shadows! - to the earth, on which he daily walked, and to an explanation simply natural.
(I.vi, pp. 69-70)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.