"Deadly ideas crowded upon their imaginations, and inspired a terror which scarcely allowed them to breathe."
— Radcliffe [née Ward], Ann (1764-1823)
Work Title
Place of Publication
London
Publisher
Printed for T. Hookham
Date
1790
Metaphor
"Deadly ideas crowded upon their imaginations, and inspired a terror which scarcely allowed them to breathe."
Metaphor in Context
One night that Emilia and Julia had been detained, by company, in ceremonial restraint, later than usual, they were induced by the easy conversation of Madame, and by the pleasure which a return to liberty naturally produces, to defer the hour of repose till the night was far advanced. They were engaged in interesting discourse, when Madame, who was then speaking, was interrupted by a low hollow sound, which arose from beneath the apartment, and seemed like the closing of a door. Chilled into a silence, they listened and distinctly heard it repeated. Deadly ideas crowded upon their imaginations, and inspired a terror which scarcely allowed them to breathe. The noise lasted only for a moment, and a profound silence soon ensued. Their feelings at length relaxed, and suffered them to move to Madame's apartment, when again they heard the same sounds. Almost distracted with fear, they rushed into Madame's apartment, where Emilia sunk upon the bed and fainted. It was a considerable time ere the efforts of Madame recalled her to sensation. When they were again tranquil, she employed all her endeavours to compose the spirits of the young ladies, and dissuade them from alarming the castle. Involved in dark and fearful doubts, she yet commanded her feelings, and endeavoured to assume an appearance of composure. The late behaviour of the marquis had convinced her that he was nearly connected with the mystery which hung over this part of the edifice; and she dreaded to excite his resentment by a further mention of alarms, which were perhaps only ideal, and whose reality she had certainly no means of proving.
(I.ii, pp. 80-1; pp. 34-5 in OUP edition)
(I.ii, pp. 80-1; pp. 34-5 in OUP edition)
Categories
Provenance
Reading
Citation
At least 6 entries in ECCO and ESTC (1790, 1791, 1792, 1795, 1796).
Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>
Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>
Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Date of Entry
05/31/2013
