"But what where the various sensations which pressed upon her heart, on learning that she had wept over the resemblance of her mother!"

— Radcliffe [née Ward], Ann (1764-1823)


Work Title
Place of Publication
London
Publisher
Printed for T. Hookham
Date
1790
Metaphor
"But what where the various sensations which pressed upon her heart, on learning that she had wept over the resemblance of her mother!"
Metaphor in Context
Julia endeavoured to reconcile herself to the change, and a circumstance soon occurred which obliterated her present sensations, and excited others far more interesting. One day that she was arranging some papers in the small drawers of a cabinet that stood in her apartment, she found a picture which fixed all her attention. It was a miniature of a lady, whose countenance was touched with sorrow, and expressed an air of dignified resignation. The mournful sweetness of her eyes, raised towards Heaven with a look of supplication, and the melancholy languor that shaded her features, so deeply affected Julia, that her eyes were filled with involuntary tears. She sighed and wept, still gazing on the picture, which seemed to engage her by a kind of fascination. She almost fancied that the portrait breathed, and that the eyes were fixed on her's with a look of penetrating softness. Full of the emotions which the miniature had excited, she presented it to Madame, whose mingled sorrow and surprize increased her curiosity. But what where the various sensations which pressed upon her heart, on learning that she had wept over the resemblance of her mother! Deprived of a mother's tenderness before she was sensible of its value, it was now only that she mourned the event which lamentation could not recall. Emilia, with an emotion as exquisite, mingled her tears with those of her sister. With eager impatience they pressed Madame to disclose the cause of that sorrow which so emphatically marked the features of their mother.
(I.ii, pp. 62-3; pp. 27-8 in OUP edition)
Provenance
Reading
Citation
At least 6 entries in ECCO and ESTC (1790, 1791, 1792, 1795, 1796).

Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>

Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Date of Entry
05/31/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.