"Unaccustomed to oppose the bent of her inclinations, they now maintained unbounded sway; and she found too late, that in order to have a due command of our passions, it is necessary to subject them to early obedience."
— Radcliffe [née Ward], Ann (1764-1823)
Work Title
Place of Publication
London
Publisher
Printed for T. Hookham
Date
1790
Metaphor
"Unaccustomed to oppose the bent of her inclinations, they now maintained unbounded sway; and she found too late, that in order to have a due command of our passions, it is necessary to subject them to early obedience."
Metaphor in Context
The public rejoicings at the castle closed with the week; but the gay spirit of the marchioness forbade a return to tranquillity; and she substituted diversions more private, but in splendour scarcely inferior to the preceding ones. She had observed the behaviour of Hippolitus on the night of the concert with chagrin, and his departure with sorrow; yet disdaining to perpetuate misfortune by reflection, she sought to lose the sense of disappointment in the hurry of dissipation. But her efforts to erase him from her remembrance were ineffectual. Unaccustomed to oppose the bent of her inclinations, they now maintained unbounded sway; and she found too late, that in order to have a due command of our passions, it is necessary to subject them to early obedience. Passion, in its undue influence, produces weakness as well as injustice. The pain which now recoiled upon her heart from disappointment, she had not strength of mind to endure, and she sought relief from its pressure in afflicting the innocent. Julia, whose beauty she imagined had captivated the count, and confirmed him in indifference towards herself, she incessantly tormented by the exercise of those various and splenetic little arts, which elude the eye of the common observer, and are only to be known by those who have felt them. Arts, which individually are inconsiderable, but in the aggregate, amount to a cruel and decisive effect.
(I.ii, pp. 57-8; pp. 25-6 in OUP edition)
(I.ii, pp. 57-8; pp. 25-6 in OUP edition)
Provenance
Reading
Citation
At least 6 entries in ECCO and ESTC (1790, 1791, 1792, 1795, 1796).
Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>
Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>
Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Date of Entry
05/31/2013
