"Julia retired from the scene with regret. She was enchanted with the new world that was now exhibited to her, and she was not cool enough to distinguish the vivid glow of imagination from the colours of real bliss."
— Radcliffe [née Ward], Ann (1764-1823)
Work Title
Place of Publication
London
Publisher
Printed for T. Hookham
Date
1790
Metaphor
"Julia retired from the scene with regret. She was enchanted with the new world that was now exhibited to her, and she was not cool enough to distinguish the vivid glow of imagination from the colours of real bliss."
Metaphor in Context
The entertainment concluded with a grand firework, which was exhibited on the margin of the sea, and the company did not part till the dawn of morning. Julia retired from the scene with regret. She was enchanted with the new world that was now exhibited to her, and she was not cool enough to distinguish the vivid glow of imagination from the colours of real bliss. The pleasure she now felt, she believed would always be renewed, and in an equal degree, by the objects which first excited it. The weakness of humanity is never willingly perceived by young minds. It is painful to know, that we are operated upon by objects whose impressions are variable as they are indefinable--and that what yesterday affected us strongly, is to-day but imperfectly felt, and to-morrow perhaps shall be disregarded. When at length this unwelcome truth is received into the mind, we at first reject, with disgust, every appearance of good, we disdain to partake of a happiness which we cannot always command, and we not unfrequently sink into a temporary despair. Wisdom or accident, at length, recall us from our error, and offers to us some object capable of producing a pleasing, yet lasting effect, which effect, therefore, we call happiness. Happiness has this essential difference from what is commonly called pleasure; that virtue forms its basis, and virtue being the offspring of reason, may be expected to produce uniformity of effect.
(I.ii, pp. 44-5; p. 20 in OUP edition)
(I.ii, pp. 44-5; p. 20 in OUP edition)
Categories
Provenance
Reading
Citation
At least 6 entries in ECCO and ESTC (1790, 1791, 1792, 1795, 1796).
Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>
Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Text from A Sicilian Romance. By The Authoress of The Castles of Athlin and Dunbayne 2 vols. (London: Printed for T. Hookham, 1790). <Link to volume I, 2nd edition in Google Books><Volume II>
Reading in A Sicilian Romance, ed. Alison Milbank (Oxford and New York: OUP, 1993).
Date of Entry
05/31/2013
