"'I am bad company, Miss Franklin,' said he, at last recollecting himself; 'but I have met with something to-day that has greatly distressed me, and I cannot shake off the disagreeable impression it has made on my mind.'"

— Rowson, Susanna (1762-1828)


Place of Publication
London
Publisher
Printed for William Lane, at the Minerva
Date
1791, 1794
Metaphor
"'I am bad company, Miss Franklin,' said he, at last recollecting himself; 'but I have met with something to-day that has greatly distressed me, and I cannot shake off the disagreeable impression it has made on my mind.'"
Metaphor in Context
At that instant Julia Franklin passed the window, leaning on her uncle's arm. She curtseyed as she passed, and, with the bewitching smile of modest chearfulness, cried -- "Do you bury yourselves in the house this fine evening, gents?" There was something in the voice! the manner! the look! that was altogether irresistible. "Perhaps she wishes my company," said Montraville mentally, as he snatched up his hat: "if I thought she loved me, I would confess my errors, and trust to her generosity to pity and pardon me." He soon overtook her, and offering her his arm, they sauntered to pleasant but unfrequented walks. Belcour drew Mr. Franklin on one side and entered into a political discourse: they walked faster than the young people, and Belcour by some means contrived entirely to lose sight of them. It was a fine evening in the beginning of autumn; the last remains of day-light faintly streaked the western sky, while the moon, with pale and virgin lustre in the room of gorgeous gold and purple, ornamented the canopy of heaven with silver, fleecy clouds, which now and then half hid her lovely face, and, by partly concealing, heightened every beauty; the zephyrs whispered softly through the trees, which now began to shed their leafy honours; a solemn silence reigned: and to a happy mind an evening such as this would give serenity, and calm, unruffled pleasure; but to Montraville, while it soothed the turbulence of his passions, it brought increase of melancholy reflections. Julia was leaning on his arm: he took her hand in his, and pressing it tenderly, sighed deeply, but continued silent. Julia was embarrassed; she wished to break a silence so unaccountable, but was unable; she loved Montraville, she saw he was unhappy, and wished to know the cause of his uneasiness, but that innate modesty, which nature has implanted in the female breast, prevented her enquiring. "I am bad company, Miss Franklin," said he, at last recollecting himself; "but I have met with something to-day that has greatly distressed me, and I cannot shake off the disagreeable impression it has made on my mind."
(II.xxiv, pp. 93-4 in Penguin edition)
Categories
Provenance
Reading
Citation
Susanna Rowson, Charlotte: A Tale of Truth (London: Minerva Press, 1791). Republished in America: Charlotte: A Tale of Truth (Philadelphia: M. Carey, 1794). <Link to UVA Special Collections> <Link to UVA E-Text Center>

Text from U.Va. edition. Reading in Charlotte Temple and Lucy Temple, ed. Ann Douglas (New York: Penguin, 1991).
Date of Entry
05/29/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.