"A fine country, and diversified views, may soften even the keenest affliction of decided misfortune, and tranquilise the most gloomy sadness into resignation and composure; but suspense rejects the gentle palliative; 'tis an absorbent of the faculties that suffers them to see, hear, and feel only its own perplexity; and the finer the fibres of the sensibility on which it seizes, the more exclusive is its despotism; doubt, in a fervent mind, from the rapidity of its evolutions between fear in its utmost despondence, and hope in its fullest rapture, is little short of torture."

— Burney [married name D'Arblay], Frances (1752-1840)


Place of Publication
London
Publisher
Printed for T. Payne and T. Cadell, Jun., and W. Davies
Date
1796
Metaphor
"A fine country, and diversified views, may soften even the keenest affliction of decided misfortune, and tranquilise the most gloomy sadness into resignation and composure; but suspense rejects the gentle palliative; 'tis an absorbent of the faculties that suffers them to see, hear, and feel only its own perplexity; and the finer the fibres of the sensibility on which it seizes, the more exclusive is its despotism; doubt, in a fervent mind, from the rapidity of its evolutions between fear in its utmost despondence, and hope in its fullest rapture, is little short of torture."
Metaphor in Context
The journey, though in itself short and pleasant, proved to Camilla long and wearisome; the beauties of the prospect were acknowledged by her eye, but her mind, dead to pleasure, refused to give them their merited effect. To the charms of nature she could not be blind; her fervent imagination, and the lessons of her youth, combined to do them justice; but she thought not of them at this moment; hill, vale, or plain, were uninteresting, however beautiful; it was Edgar she looked for; Edgar, who thus coldly had suffered her to depart, but who still, it was possible, might pursue; and hope, ever active, painted him, as she proceeded, in every distant object that caught her eye, whether living or inanimate, brightening, from time to time, the roses of her cheeks with the felicity of a speedy reconciliation; but upon every near approach, the flattering error was detected, and neither hill, vale, nor plain; could dispel the disappointment. A fine country, and diversified views, may soften even the keenest affliction of decided misfortune, and tranquilise the most gloomy sadness into resignation and composure; but suspense rejects the gentle palliative; 'tis an absorbent of the faculties that suffers them to see, hear, and feel only its own perplexity; and the finer the fibres of the sensibility on which it seizes, the more exclusive is its despotism; doubt, in a fervent mind, from the rapidity of its evolutions between fear in its utmost despondence, and hope in its fullest rapture, is little short of torture.
(IV.viii.1, pp. 210-1; p. 605 in OUP edition)
Provenance
Searching "mind" in C-H Lion
Citation
At least 2 entries in ESTC (1796).

Frances Burney, Camilla: or, A Picture of Youth. By The Author of Evelina and Cecilia., 5 vols. (London: Printed for T. Payne and T. Cadell, Jun., and W. Davies, 1796). <Link to ProQuest Lion><Link to Volume I in Google Books>

Reading in Camilla (Oxford and New York: OUP, 1983).
Theme
Sensibility
Date of Entry
05/29/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.