"And Eugenia, to whose early reflecting mind every new character and new scene opened a fresh fund for thought, if not for knowledge, was charmed to take a nearer view of what promised such food for observation."

— Burney [married name D'Arblay], Frances (1752-1840)


Place of Publication
London
Publisher
Printed for T. Payne and T. Cadell, Jun., and W. Davies
Date
1796
Metaphor
"And Eugenia, to whose early reflecting mind every new character and new scene opened a fresh fund for thought, if not for knowledge, was charmed to take a nearer view of what promised such food for observation."
Metaphor in Context
Indiana advanced with pleasure into a circle of beaux, whose eyes were most assiduous to welcome her. Camilla, though a little alarmed in being presented to a lady of so singular a deportment, had yet a curiosity to see more of her, that willingly seconded her brother's motion. And Eugenia, to whose early reflecting mind every new character and new scene opened a fresh fund for thought, if not for knowledge, was charmed to take a nearer view of what promised such food for observation. But Miss Margland began an angry remonstrance against the proceedings of Lionel, in thus taking out of her hands the direction of her charges. What she urged, however, was vain: Lionel was only diverted by her wrath, and the three young ladies, as they had not requested the introduction, did not feel themselves responsible for its taking effect.
(I.ii.4, pp. 205-6)
Categories
Provenance
Searching "mind" in C-H Lion
Citation
At least 2 entries in ESTC (1796).

Frances Burney, Camilla: or, A Picture of Youth. By The Author of Evelina and Cecilia., 5 vols. (London: Printed for T. Payne and T. Cadell, Jun., and W. Davies, 1796). <Link to ProQuest Lion><Link to Volume I in Google Books>

Reading in Camilla (Oxford and New York: OUP, 1983).
Date of Entry
03/22/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.