"I have seen a very ingenious Author on this Subject, who founds his Speculations on the Supposition, That as a Man hath in the Mould of his Face a remote Likeness to that of an Ox, a Sheep, a Lion, an Hog, or any other Creature; he hath the same Resemblance in the Frame of his Mind, and is subject to those Passions which are predominant in the Creature that appears in his Countenance."

— Addison, Joseph (1672-1719)


Work Title
Place of Publication
London
Date
Friday, June 8, 1711
Metaphor
"I have seen a very ingenious Author on this Subject, who founds his Speculations on the Supposition, That as a Man hath in the Mould of his Face a remote Likeness to that of an Ox, a Sheep, a Lion, an Hog, or any other Creature; he hath the same Resemblance in the Frame of his Mind, and is subject to those Passions which are predominant in the Creature that appears in his Countenance."
Metaphor in Context
I have seen a very ingenious Author on this Subject, who founds his Speculations on the Supposition, That as a Man hath in the Mould of his Face a remote Likeness to that of an Ox, a Sheep, a Lion, an Hog, or any other Creature; he hath the same Resemblance in the Frame of his Mind, and is subject to those Passions which are predominant in the Creature that appears in his Countenance. Accordingly he gives the Prints of several Faces that are of a different Mould, and by a little overcharging the Likeness, discovers the Figures of these several Kinds of brutal Faces in human Features. I remember, in the Life of the famous Prince of Conde the Writer observes, the8 Face of that Prince was like the Face of an Eagle, and that the Prince was very well pleased to be told so. In this Case therefore we may be sure, that he had in his Mind some general implicit Notion of this Art of Physiognomy which I have just now mentioned; and that when his Courtiers told him his Face was made like an Eagle's, he understood them in the same manner as if they had told him, there was something in his Looks which shewed him to be strong, active, piercing, and of a royal Descent. Whether or no the different Motions of the Animal Spirits, in different Passions, may have any Effect on the Mould of the Face when the Lineaments are pliable and tender, or whether the same kind of Souls require the same kind of Habitations, I shall leave to the Consideration of the Curious. In the mean Time I think nothing can be more glorious than for a Man to give the Lie to his Face, and to be an honest, just, good-natured Man, in spite of all those Marks and Signatures which Nature seems to have set upon him for the Contrary. This very often happens among those, who, instead of being exasperated by their own Looks, or envying the Looks of others, apply themselves entirely to the cultivating of their Minds, and getting those Beauties which are more lasting and more ornamental. I have seen many an amiable Piece of Deformity; and have observed a certain Chearfulness in as bad a System of Features as ever was clapped together, which hath appeared more lovely than all the blooming Charms of an insolent Beauty. There is a double Praise due to Virtue, when it is lodged in a Body that seems to have been prepared for the Reception of Vice; in many such Cases the Soul and the Body do not seem to be Fellows.
(I, 366-7)
Provenance
Searching "mind" in Project Gutenberg e-text.
Citation
See Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
Date of Entry
03/22/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.