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"Among the several Artifices which are put in Practice by the Poets to fill the Minds of an Audience with Terror, the first Place is due to Thunder and Lightning, which are often made use of at the Descending of a God, or the Rising of a Ghost, at the Vanishing of a Devil, or at the Death of a Tyrant."

— Addison, Joseph (1672-1719)

Author

Spectator, No. 44

Place of Publication

London

Date

Friday, April 20, 1711

Metaphor

"Among the several Artifices which are put in Practice by the Poets to fill the Minds of an Audience with Terror, the first Place is due to Thunder and Lightning, which are often made use of at the Descending of a God, or the Rising of a Ghost, at the Vanishing of a Devil, or at the Death of a Tyrant."

Metaphor in Context

Among the several Artifices which are put in Practice by the Poets to fill the Minds of an Audience with Terror, the first Place is due to Thunder and Lightning, which are often made use of at the Descending of a God, or the Rising of a Ghost, at the Vanishing of a Devil, or at the Death of a Tyrant. I have known a Bell introduced into several Tragedies with good Effect; and have seen the whole Assembly in a very great Alarm all the while it has been ringing. But there is nothing which delights and terrifies our English Theatre so much as a Ghost, especially when he appears in a bloody Shirt. A Spectre has very often saved a Play, though he has done nothing but stalked across the Stage, or rose through a Cleft of it, and sunk again without speaking one Word. There may be a proper Season for these several Terrors; and when they only come in as Aids and Assistances to the Poet, they are not only to be excused, but to be applauded. Thus the sounding of the Clock in Venice Preserved, makes the Hearts of the whole Audience quake; and conveys a stronger Terror to the Mind than it is possible for Words to do. The Appearance of the Ghost in Hamlet is a Master-piece in its kind, and wrought up with all the Circumstances that can create either Attention or Horror. The Mind of the Reader is wonderfully prepared for his Reception by the Discourses that precede it: His Dumb Behaviour at his first Entrance, strikes the Imagination very strongly; but every time he enters, he is still more terrifying. Who can read the Speech with which young Hamlet accosts him, without trembling?