"In a word, all the Ideas of things called Artificial or Mechanical, contain something in them that never came from Sense, nor was ever stamped upon the Soul from the Objects without, which, though it be not meerly notional or Imaginary but really belongs to the Nature of that Thing, yet is no otherwise than Intellectually Comprehended."

— Cudworth, Ralph (1617-1688)


Place of Publication
London
Publisher
Printed for James and John Knapton
Date
1731
Metaphor
"In a word, all the Ideas of things called Artificial or Mechanical, contain something in them that never came from Sense, nor was ever stamped upon the Soul from the Objects without, which, though it be not meerly notional or Imaginary but really belongs to the Nature of that Thing, yet is no otherwise than Intellectually Comprehended."
Metaphor in Context
In a word, all the Ideas of things called Artificial or Mechanical, contain something in them that never came from Sense, nor was ever stamped upon the Soul from the Objects without, which, though it be not meerly notional or Imaginary but really belongs to the Nature of that Thing, yet is no otherwise than Intellectually Comprehended. As for Example, an House or Palace is not only Stone, Brick, Mortar, Timber, Iron, Glass, heaped together; but the Very Essence and formal Reason of it is made up of Relative or Schetical Notions it being a certain Disposition of those several Materials into a Whole or Collection, consisting of several Parts, Rooms, Stairs, Passages, Doors, Chimneys, Windows, convenient for Habitation, and fit for the several Uses of Men; in which there is the Logick of Whole and Parts, Order, Proportion, Symmetry, Aptitude, Concinnity, all complicated with Wood, Stone, Iron, and Glass, as it were informing and adorning the Rude and Confused Mass of Matter, and making it both beautiful and Serviceable. And therefore for this Cause, no Man that is in his Wits will say that a stately and Royal Palace hath therefore less Reality, Entity, and Substantiality in it, than an Heap of Rubbish confusedly cast together; because, forsooth, the Idea of it partly consists of Logical Notions, which are thought to be Meer Imaginary Things; whereas the Whole is all Solid Matter without this Notional Form. For this Logical Form, which is the Passive Stamp or Print of Intellectuality in it, the first Archetypes contained in the Idea or Skill of the Architect, and thence introduced into the Rude Matter, successively with much Pains and Labour, is the only Thing that distinguishes it from meer Dirt and Rubbish, and gives it the Essence of an House or Palace. And it hath therefore the more of Entity in it, because it partakes of Art or Intellectuality. But the Eye or Sense of a Brute, though it have as much Passively impressed upon it from without, as the Soul of a Man hath, when it looks upon the most Royal and Magnificent Palace, if it should see all the Inside also as well as the Outside, could not Comprehend from thence the Formal Idea and Nature of an House or Palace, which nothing but an Active Intellectual Principle can reach unto.
(IV.ii.10, pp. 167-9)
Provenance
Searching in Google Books
Citation
Only 1 entry in ECCO and ESTC (1731).

See Ralph Cudworth, A Treatise Concerning Eternal and Immutable Morality (London: James and John Knapton, 1731). <Link to ECCO><Link to Google Books>
Date of Entry
01/22/2012

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.