"For what is Pulchritude in Visible Objects, or Harmony in Sounds, but the Proportion, Symmetry and Commensuration of Figures, and Sounds to one another, whereby Infinity is Measured and Determined, and Multiplicity and Variety vanquished and triumphed over by Unity, and by that means they become grateful and pleasing Objects to the Ear and Eye of Intellectual Auditors and Spectators, there being as it were certain Ludicrous Irritations and Symbolical Resemblances of Art and Wisdom, nay, and Vertue too (as we shall shew afterward) that is, of Intellectuality in general appearing in them, Whereby the Mind beholds as it were its own Face and Image reflected to it self from a Corporeal Glass."

— Cudworth, Ralph (1617-1688)


Place of Publication
London
Publisher
Printed for James and John Knapton
Date
1731
Metaphor
"For what is Pulchritude in Visible Objects, or Harmony in Sounds, but the Proportion, Symmetry and Commensuration of Figures, and Sounds to one another, whereby Infinity is Measured and Determined, and Multiplicity and Variety vanquished and triumphed over by Unity, and by that means they become grateful and pleasing Objects to the Ear and Eye of Intellectual Auditors and Spectators, there being as it were certain Ludicrous Irritations and Symbolical Resemblances of Art and Wisdom, nay, and Vertue too (as we shall shew afterward) that is, of Intellectuality in general appearing in them, Whereby the Mind beholds as it were its own Face and Image reflected to it self from a Corporeal Glass."
Metaphor in Context
7. Wherefore, if we well consider it, we shall find that not only the Beauty and Pulchritude, but also the Strength and Ability of Natural and Corporeal Things themselves, depend upon these Relations and Proportions of one Thing to another. For what is Pulchritude in Visible Objects, or Harmony in Sounds, but the Proportion, Symmetry and Commensuration of Figures, and Sounds to one another, whereby Infinity is Measured and Determined, and Multiplicity and Variety vanquished and triumphed over by Unity, and by that means they become grateful and pleasing Objects to the Ear and Eye of Intellectual Auditors and Spectators, there being as it were certain Ludicrous Irritations and Symbolical Resemblances of Art and Wisdom, nay, and Vertue too (as we shall shew afterward) that is, of Intellectuality in general appearing in them, Whereby the Mind beholds as it were its own Face and Image reflected to it self from a Corporeal Glass.
(IV.ii.7, p. 160)
Provenance
Searching in Google Books
Citation
Only 1 entry in ECCO and ESTC (1731).

See Ralph Cudworth, A Treatise Concerning Eternal and Immutable Morality (London: James and John Knapton, 1731). <Link to ECCO><Link to Google Books>
Date of Entry
01/22/2012

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.