"The brain, he writes, is like Kublai Khan, the great Mongol emperor of the thirteenth century. It sits enthroned in its skull, 'encased in darkness and silence,' at a lofty remove from brute reality. Messengers stream in from every corner of the sensory kingdom, bringing word of distant sights, sounds, and smells. Their reports arrive at different rates, often long out of date, yet the details are all stitched together into a seamless chronology."
— Bilger, Burkhard
Author
Work Title
Date
April 25, 2011
Metaphor
"The brain, he writes, is like Kublai Khan, the great Mongol emperor of the thirteenth century. It sits enthroned in its skull, 'encased in darkness and silence,' at a lofty remove from brute reality. Messengers stream in from every corner of the sensory kingdom, bringing word of distant sights, sounds, and smells. Their reports arrive at different rates, often long out of date, yet the details are all stitched together into a seamless chronology."
Metaphor in Context
In Eagleman's essay "Brain Time," published in the 2009 collection "What's Next? Dispatches on the Future of Science," he borrows a conceit from Italo Calvino's "Invisible Cities." The brain, he writes, is like Kublai Khan, the great Mongol emperor of the thirteenth century. It sits enthroned in its skull, "encased in darkness and silence," at a lofty remove from brute reality. Messengers stream in from every corner of the sensory kingdom, bringing word of distant sights, sounds, and smells. Their reports arrive at different rates, often long out of date, yet the details are all stitched together into a seamless chronology. The difference is that Kublai Khan was piecing together the past. The brain is describing the present--processing reams of disjointed data on the fly, editing everything down to an instantaneous now. How does it manage it?
Categories
Provenance
Reading
Citation
Burkhard Bilger, "The Possibilian" in The New Yorker (April 25, 2011). <Link to newyorker.com>
Date of Entry
10/10/2011
