"The soften‘d heart, prepar'd to take / Whate'er impressions Love shall make."

— Hamilton, William, of Bangour (1704-1754)


Work Title
Date
August, 1752
Metaphor
"The soften‘d heart, prepar'd to take / Whate'er impressions Love shall make."
Metaphor in Context
What time your poppy-crowned God
Sends his truth-telling scouts abroad,
Ere yet the cock to matins rings,
And the lark with mounting wings,
The simple village swain has warn'd
To shake off sleep by labour earn'd;
Or on the rose's silken hem,
Aurora weeps her earliest gem;
Or beneath the opening dawn,
Smiles the fair-extended lawn.
When in the soft encircled shade
Ye find reclined the gentle maid,
Each busy motion laid to rest,
And all compos'd her peaceful breast:
Swift paint the fair internal scene,
The phantom labours of your reign;
The living imag'ry adorn
With all the limnings of the morn,
With all the treasures nature keeps
Conceal'd below the forming deeps;
Or dress'd in the rich waving pride,
That covers the green mountain's side,
Or blooms beneath the am'rous gale
In the wide embosom'd vale.
Let pow'rful Music too essay
The magic of her hidden lay:
While each harsh thought away shall fly
Down the full stream of harmony,
Compassion mild shall fill their place,
Each gentle minister of grace,
Pity, that often melts to Love,
Let weeping Pity, kind improve,
The soften'd heart, prepar'd to take
Whate'er impressions Love shall make
.
Oh! in that kind, that sacred hour,
When Hate, when Anger have no pow'r;
When sighing Love, mild simple boy,
Courtship sweet, and tender joy,
Alone possess the fair one's heart;
Let me then, Fancy, bear my part.
(p. 378)
Categories
Provenance
Searching "heart" and "impression" in HDIS (Poetry)
Citation
Text from The poems and songs of William Hamilton of Bangour (Edinburgh: Thomas George Stevenson, 1850), but see earlier appearance, "Ode to Fancy," The London Magazine; or, Gentleman's Monthly intelligencer, Volume 21 (August 1752): pp. 377-8. <Link to Google Books>
Date of Entry
07/14/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.