"Give me that man / That is not passion's slave, and I will wear him / In my heart's core, ay, in my heart of heart, / As I do thee."
— Shakespeare, William (1564-1616)
Work Title
Date
1603
Metaphor
"Give me that man / That is not passion's slave, and I will wear him / In my heart's core, ay, in my heart of heart, / As I do thee."
Metaphor in Context
HAMLET
Nay, do not think I flatter;
For what advancement may I hope from thee,
That no revenue hast but thy good spirits
To feed and clothe thee? Why should the poor be flattered?
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow feigning. Dost thou hear? --
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath sealed thee for herself; for thou hast been
As one in suff'ring all that suffers nothing,
A man that Fortune's buffets and rewards
Hath ta'en with equal thanks; and blest are those
Whose blood and judgement are so well commingled
That they are not a pipe for Fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee. Something too much of this.
There is a play tonight before the King.
One scene of it comes near the circumstance
Which I have told thee of my father's death.
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
Observe mine uncle. If his occulted guilt
Do not itself unkennel in one speech,
It is a damnèd ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note,
For I mine eyes will rivet to his face,
And after, we will both our judgements join
To censure of his seeming.
(III.ii.54-85)
Nay, do not think I flatter;
For what advancement may I hope from thee,
That no revenue hast but thy good spirits
To feed and clothe thee? Why should the poor be flattered?
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow feigning. Dost thou hear? --
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath sealed thee for herself; for thou hast been
As one in suff'ring all that suffers nothing,
A man that Fortune's buffets and rewards
Hath ta'en with equal thanks; and blest are those
Whose blood and judgement are so well commingled
That they are not a pipe for Fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee. Something too much of this.
There is a play tonight before the King.
One scene of it comes near the circumstance
Which I have told thee of my father's death.
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
Observe mine uncle. If his occulted guilt
Do not itself unkennel in one speech,
It is a damnèd ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note,
For I mine eyes will rivet to his face,
And after, we will both our judgements join
To censure of his seeming.
(III.ii.54-85)
Provenance
Reading David Brion Davis' The Problem of Slavery in Western Culture (New York and Oxford: Oxford University Press, 1988), 79n.
Citation
Shakespeare, William. The Complete Works. Oxford Shakespeare. Electronic Edition for the IBM PC. Stanley Wells and Gary Taylor, Editor.
Date of Entry
07/11/2011
