"And when at last I began to improve, said Austerlitz, I also recollected how once, while my mind was still quite submerged, I had seen myself standing, filled with a painful sense that something within me was trying to surface from oblivion, in front of a poster painted in bold brushstrokes which was pasted to the tunnel wall and showed a happy family on a winter holiday in Chamonix."
— Sebald, W. G. (1944-2001)
Author
Work Title
Place of Publication
London
Publisher
Hamish Hamilton
Date
2001
Metaphor
"And when at last I began to improve, said Austerlitz, I also recollected how once, while my mind was still quite submerged, I had seen myself standing, filled with a painful sense that something within me was trying to surface from oblivion, in front of a poster painted in bold brushstrokes which was pasted to the tunnel wall and showed a happy family on a winter holiday in Chamonix."
Metaphor in Context
[...] Sometimes they manifested themselves in one of the dark catacombs where, covered in frayed and dusty plumage, they were crouching on the stony floor and, turning silently towards on another, made digging motions with their earth-stained hands. And when at last I began to improve, said Austerlitz, I also recollected how once, while my mind was still quite submerged, I had seen myself standing, filled with a painful sense that something within me was trying to surface from oblivion, in front of a poster painted in bold brushstrokes which was pasted to the tunnel wall and showed a happy family on a winter holiday in Chamonix. The peaks of the mountains towered snow-white in the background, with a wonderful blue sky above them, the straight upper edge of which did not entirely hide a yellowed notice issued by the Paris city council in July 1943. [...]
(p. 270)
(p. 270)
Categories
Provenance
Reading
Citation
W. G. Sebald, Austerlitz, trans. Anthea Bell (New York: Modern Library, 2001)
Date of Entry
05/18/2011