"The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtilty surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased."

— Johnson, Samuel (1709-1784)


Place of Publication
London
Publisher
Bathurst, J. Buckland, W. Strahan, J. Rivington and Sons, T. Davies
Date
1779, 1781
Metaphor
"The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtilty surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased."
Metaphor in Context
But Wit, abstracted from its effects upon the hearer, may be more rigorously and philosophically considered as a kind of discordia concors; a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike. Of wit, thus defined, they have more than enough. The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtilty surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased.
Categories
Provenance
Reading
Citation
At least 3 entries in ESTC (1779, 1781, 1790). [vols. 1 to 5 dated 1779, vols. 5 to 10, 1781)

Samuel Johnson, Prefaces, Biographical and Critical, to the Works of the English Poets, vol. 1 (London: Bathurst et al., 1779). <Link to ESTC><Link to ECCO>

Text from Jack Lynch's online edition, based on G. B. Hill's Lives of the English Poets, 3 vols. (Oxford: Clarendon Press, 1905). <Link>
Date of Entry
04/30/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.