"The man that sits down to suppose himself charged with treason or peculation, and heats his mind to an elaborate purgation of his character from crimes which he was never within the possibility of committing, differs only by the infrequency of his folly from him who praises beauty which he never saw, complains of jealousy which he never felt, supposes himself sometimes invited and sometimes forsaken, fatigues his fancy, and ransacks his memory, for images which may exhibit the gaiety of hope or the gloominess of despair, and dresses his imaginary Chloris or Phyllis sometimes in flowers fading as her beauty, and sometimes in gems lasting as her virtues."

— Johnson, Samuel (1709-1784)


Place of Publication
London
Publisher
Bathurst, J. Buckland, W. Strahan, J. Rivington and Sons, T. Davies
Date
1779, 1781
Metaphor
"The man that sits down to suppose himself charged with treason or peculation, and heats his mind to an elaborate purgation of his character from crimes which he was never within the possibility of committing, differs only by the infrequency of his folly from him who praises beauty which he never saw, complains of jealousy which he never felt, supposes himself sometimes invited and sometimes forsaken, fatigues his fancy, and ransacks his memory, for images which may exhibit the gaiety of hope or the gloominess of despair, and dresses his imaginary Chloris or Phyllis sometimes in flowers fading as her beauty, and sometimes in gems lasting as her virtues."
Metaphor in Context
It is surely not difficult, in the solitude of a college or in the bustle of the world, to find useful studies and serious employment. No man needs to be so burthened with life as to squander it in voluntary dreams of fictitious occurrences. The man that sits down to suppose himself charged with treason or peculation, and heats his mind to an elaborate purgation of his character from crimes which he was never within the possibility of committing, differs only by the infrequency of his folly from him who praises beauty which he never saw, complains of jealousy which he never felt, supposes himself sometimes invited and sometimes forsaken, fatigues his fancy, and ransacks his memory, for images which may exhibit the gaiety of hope or the gloominess of despair, and dresses his imaginary Chloris or Phyllis sometimes in flowers fading as her beauty, and sometimes in gems lasting as her virtues.
Provenance
Reading
Citation
At least 3 entries in ESTC (1779, 1781, 1790). [vols. 1 to 5 dated 1779, vols. 5 to 10, 1781)

Samuel Johnson, Prefaces, Biographical and Critical, to the Works of the English Poets, vol. 1 (London: Bathurst et al., 1779). <Link to ESTC><Link to ECCO>

Text from Jack Lynch's online edition, based on G. B. Hill's Lives of the English Poets, 3 vols. (Oxford: Clarendon Press, 1905). <Link>
Date of Entry
04/30/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.