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"But this obscurity sometimes proceeds from a mixture of light and darkness in the author's mind; from a partial ray which strikes upon an angle, instead of spreading itself over the surface of an object."

— Gibbon, Edward (1737-1794)

Author

Gibbon, Edward (1737-1794)

Work Title

Memoirs of My Life and Writings

Date

w. 1788-93, 1796 (rev. 1815, 1827, 1837, 1897)

Metaphor

"But this obscurity sometimes proceeds from a mixture of light and darkness in the author's mind; from a partial ray which strikes upon an angle, instead of spreading itself over the surface of an object."

Metaphor in Context

I have expatiated on the petty circumstances and period of my first publication, a memorable aera in the life of a student, when he ventures to reveal the measure of his mind: his hopes and fears are multiplied by the idea of self-importance, and he believes for a while that the eyes of mankind are fixed on his person and performance. Whatever may be my present reputation, it no longer rests on the merit of this first essay; and at the end of twenty-eight years I may appreciate my juvenile work with the impartiality, and almost with the indifference, of a stranger. In his answer to Lady Hervey, the Count de Caylus admires, or affects to admire, "les livres sans nombre que Mr. Gibbon a lus et tres bien lus." But, alas! my stock of erudition at that time was scanty and superficial; and if I allow myself the liberty of naming the Greek masters, my genuine and personal acquaintance was confined to the Latin classics. The most serious defect of my Essay is a kind of obscurity and abruptness which always fatigues, and may often elude, the attention of the reader. Instead of a precise and proper definition of the title itself, the sense of the word Litterature is loosely and variously applied: a number of remarks and examples, historical, critical, philosophical, are heaped on each other without method or connection; and if we except some introductory pages, all the remaining chapters might indifferently be reversed or transposed. The obscure passages is often affected, brevis esse laboro, obscurus fio; the desire of expressing perhaps a common idea with sententious and oracular brevity: alas! how fatal has been the imitation of Montesquieu! But this obscurity sometimes proceeds from a mixture of light and darkness in the author's mind; from a partial ray which strikes upon an angle, instead of spreading itself over the surface of an object. After this fair confession I shall presume to say, that the Essay does credit to a young writer of two and twenty years of age, who had read with taste, who thinks with freedom, and who writes in a foreign language with spirit and elegance. The defence of the early History of Rome and the new Chronology of Sir Isaac Newton form a specious argument. The patriotic and political design of the Georgics is happily conceived; and any probable conjecture, which tends to raise the dignity of the poet and the poem, deserves to be adopted, without a rigid scrutiny. Some dawnings of a philosophic spirit enlighten the general remarks on the study of history and of man. I am not displeased with the inquiry into the origin and nature of the gods of polytheism, which might deserve the illustration of a riper judgment. Upon the whole, I may apply to the first labour of my pen the speech of a far superior artist, when he surveyed the first productions of his pencil. After viewing some portraits which he had painted in his youth, my friend Sir Joshua Reynolds acknowledged to me, that he was rather humbled than flattered by the comparison with his present works; and that after so much time and study, he had conceived his improvement to be much greater than he found it to have been.
(pp. 107-10)