"Since the imagination, therefore, in running from low to high, finds an opposition in its internal qualities and principles, and since the soul, when elevated with joy and courage, in a manner seeks opposition, and throws itself with alacrity into any scene of thought or action where its courage meets with matter to nourish and employ it, it follows that every thing which invigorates and enlivens the soul, whether by touching the passions or imagination, naturally conveys to the fancy this inclination for ascent, and determines it to run against the natural stream of its thoughts and conceptions."

— Hume, David (1711-1776)


Place of Publication
London
Publisher
Printed for John Noon
Date
January 1739
Metaphor
"Since the imagination, therefore, in running from low to high, finds an opposition in its internal qualities and principles, and since the soul, when elevated with joy and courage, in a manner seeks opposition, and throws itself with alacrity into any scene of thought or action where its courage meets with matter to nourish and employ it, it follows that every thing which invigorates and enlivens the soul, whether by touching the passions or imagination, naturally conveys to the fancy this inclination for ascent, and determines it to run against the natural stream of its thoughts and conceptions."
Metaphor in Context
Since the imagination, therefore, in running from low to high, finds an opposition in its internal qualities and principles, and since the soul, when elevated with joy and courage, in a manner seeks opposition, and throws itself with alacrity into any scene of thought or action where its courage meets with matter to nourish and employ it, it follows that every thing which invigorates and enlivens the soul, whether by touching the passions or imagination, naturally conveys to the fancy this inclination for ascent, and determines it to run against the natural stream of its thoughts and conceptions. This aspiring progress of the imagination suits the present disposition of the mind; and the difficulty, instead of extinguishing its vigour and alacrity, has the contrary effect of sustaining and increasing it. Virtue, genius, power, and riches, are for this reason associated with height and sublimity, as poverty, slavery, and folly are conjoined with descent and lowness. Were the case the same with us as Milton represents it to be with the angels, to whom descent is adverse and who cannot sink without labour and compulsion, this order of things would be entirely inverted; as appears hence, that the very nature of ascent and descent is derived from the difficulty and propensity, and consequently every one of their effects proceeds from that origin.
(II.iii.8.9, p. 278-9)
Provenance
Reading
Citation
Published anonymously with vols. I and II appearing in January in 1739 and vol. III appearing in November of 1740. Only 1 entry in the ESTC (1740).

David Hume, A Treatise of Human Nature. Being an Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects. 3 vols. (London: Printed for John Noon, 1739; Thomas Longman, 1740). <Link to ESTC><Link to ECCO><Link to ECCO-TCP><Link to OLL>

Reading David Hume, A Treatise of Human Nature, eds. D. F. and M. J. Norton (Oxford: OUP, 2000). Searching in Past Masters and OLL editions.
Date of Entry
03/07/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.