"Every movement of the theatre, by a skilful poet, is communicated, as it were by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions, which actuate the several personages of the drama."
— Hume, David (1711-1776)
Author
Place of Publication
London
Publisher
Printed for A. Millar
Date
1751, 1777
Metaphor
"Every movement of the theatre, by a skilful poet, is communicated, as it were by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions, which actuate the several personages of the drama."
Metaphor in Context
Every movement of the theatre, by a skilful poet, is communicated, as it were by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions, which actuate the several personages of the drama.
(pp. 221-2)
(pp. 221-2)
Categories
Provenance
Reading
Citation
Working from Nidditch's census and confirming 3 entries through the ESTC (1751, 1753, 1760, 1764, 1767, 1768, 1770, 1772, 1777).
First published as An Enquiry Concerning the Principles of Morals. By David Hume, Esq (London: Printed for A. Millar, 1751). <Link to ECCO><Link to ECCO-TCP>
Text from David Hume, Enquiries Concerning Human Understanding and Concerning the Principles of Morals. ed. L. A. Selby-Bigge, rev. ed. P. H. Nidditch (Oxford: Oxford UP, 1975).
First published as An Enquiry Concerning the Principles of Morals. By David Hume, Esq (London: Printed for A. Millar, 1751). <Link to ECCO><Link to ECCO-TCP>
Text from David Hume, Enquiries Concerning Human Understanding and Concerning the Principles of Morals. ed. L. A. Selby-Bigge, rev. ed. P. H. Nidditch (Oxford: Oxford UP, 1975).
Date of Entry
03/05/2011
