"As his foot pressed the half-damp, half-dry sea-mosses matting the place, and a chance phantom cat's-paw--an islet of breeze, unheralded, unfollowed--as this ghostly cat's-paw came fanning his cheek, his glance fell upon the row of small, round dead-lights, all closed like coppered eyes of the coffined, and the state-cabin door, once connecting with the gallery, even as the dead-lights had once looked out upon it, but now caulked fast like a sarcophagus lid, to a purple-black, tarred-over panel, threshold, and post; and he bethought him of the time, when that state-cabin and this state-balcony had heard the voices of the Spanish king's officers, and the forms of the Lima viceroy's daughters had perhaps leaned where he stood--as these and other images flitted through his mind, as the cat's-paw through the calm, gradually he felt rising a dreamy inquietude, like that of one who alone on the prairie feels unrest from the repose of the noon."

— Melville, Herman (1819-1891)


Place of Publication
New York
Publisher
Dix, Edwards, & Co.
Date
1855, 1856
Metaphor
"As his foot pressed the half-damp, half-dry sea-mosses matting the place, and a chance phantom cat's-paw--an islet of breeze, unheralded, unfollowed--as this ghostly cat's-paw came fanning his cheek, his glance fell upon the row of small, round dead-lights, all closed like coppered eyes of the coffined, and the state-cabin door, once connecting with the gallery, even as the dead-lights had once looked out upon it, but now caulked fast like a sarcophagus lid, to a purple-black, tarred-over panel, threshold, and post; and he bethought him of the time, when that state-cabin and this state-balcony had heard the voices of the Spanish king's officers, and the forms of the Lima viceroy's daughters had perhaps leaned where he stood--as these and other images flitted through his mind, as the cat's-paw through the calm, gradually he felt rising a dreamy inquietude, like that of one who alone on the prairie feels unrest from the repose of the noon."
Metaphor in Context
To change the scene, as well as to please himself with a leisurely observation of the coming boat, stepping over into the mizzen-chains he clambered his way into the starboard quarter-galley; one of those abandoned Venetian-looking water-balconies previously mentioned; retreats cut off from the deck. As his foot pressed the half-damp, half-dry sea-mosses matting the place, and a chance phantom cat's-paw--an islet of breeze, unheralded, unfollowed--as this ghostly cat's-paw came fanning his cheek, his glance fell upon the row of small, round dead-lights, all closed like coppered eyes of the coffined, and the state-cabin door, once connecting with the gallery, even as the dead-lights had once looked out upon it, but now caulked fast like a sarcophagus lid, to a purple-black, tarred-over panel, threshold, and post; and he bethought him of the time, when that state-cabin and this state-balcony had heard the voices of the Spanish king's officers, and the forms of the Lima viceroy's daughters had perhaps leaned where he stood--as these and other images flitted through his mind, as the cat's-paw through the calm, gradually he felt rising a dreamy inquietude, like that of one who alone on the prairie feels unrest from the repose of the noon.
(pp. 210-1)
Categories
Provenance
Reading
Citation
Herman Melville. "Benito Cereno" from Tales, Poems, and Other Writings. Ed. John Bryant. New York: Modern Library, 2002. <Project Gutenburg edition><ESP online edition>
Date of Entry
04/21/2010

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.