Travel may "put a stopper on those memories you would like to resurrect. It does not always work, of course, sometimes the scent is too strong for the bottle, and too strong for me. And then the devil in one, like a furtive peeping Tom, tries to draw the cork."

— Du Maurier, Daphne, Lady Browning (1907-1989)


Work Title
Publisher
Gollancz
Date
1938
Metaphor
Travel may "put a stopper on those memories you would like to resurrect. It does not always work, of course, sometimes the scent is too strong for the bottle, and too strong for me. And then the devil in one, like a furtive peeping Tom, tries to draw the cork."
Metaphor in Context
Then he turned to me and spoke. A little while ago you talked about an invention," he said, "some scheme for capturing a memory. You would like, you told me, at a chosen moment to live the past again. I'm afraid I think rather differently [end page 38] from you. All memories are bitter, and I prefer to ignore them. Something happened a year ago that altered my whole life, and I want to forget every phase of my existence up to that time. Those days are finished. They are blotted out. I must begin living all over again. The first day we met, your Mrs. Van Hopper asked me why I came to Monte Carlo. It put a stopper on those memories you would like to resurrect. It does not always work, of course, sometimes the scent is too strong for the bottle, and too strong for me. And then the devil in one, like a furtive peeping Tom, tries to draw the cork. I did that in the first drive we took together. When we climbed the hills and looked down over the precipice. I was there some years ago, with my wife. You asked me if it was still the same, if it had changed at all. It was just the same, but--I was thankful to realise--oddly impersonal. There was no suggestion of the other time. She and I had left no record. It may have been because you were with me. You have blotted out the past for me, you know, far more effectivly than all the bright lights of Monte Carlo. But for you I should have left long ago, gone on to Italy, and Greece, and further still perhaps. You have spared me all those wanderings. Damn your puritanical little tight-lipped speech to me. Damn your idea of my kindness and my charity. I ask you to come with me becuase I want you and your company, and if you don't believe me you can leave the car now and find your own way home. Go on, open the door, and get out."
(pp. 38-9)
Categories
Provenance
Watching Hitchcock's film adaptation.
Citation
Du Maurier, Daphne. Rebecca. New York: Avon Books, 1994.
Theme
Memory
Date of Entry
01/21/2009

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.